Offer,Lucerne Festival Historic Performances Vol. VIII

Piano Concertos by Schumann and Beethoven

Annie Fischer (piano), Leon Fleisher (piano)

Philharmonia Orchestra, Swiss Festival Orchestra, Carlo Maria Giulini, George Szell

Forceful, cleanly articulated and with a poetically charged Intermezzo, it’s a performance that shows Fischer to have been a notably strong, intellectual player. — Gramophone Magazine, February 2016 More…

Release Date: 16th Oct 2015
Catalogue No: AUDITE95643
Label: Audite
Series: Lucerne Festival Historic Performances
Length: 60 minutes

International Classical Music Awards

2016

Winner - Historical Recording

Usually despatched in 3 - 4 working days

Historical - up to 35% off selected lines

Special offer ends: 24/04/2024

Schumann: Piano Concerto in A minor, Op. 54

Work length31:54

$8.00

$10.30

Annie Fischer (piano)
Philharmonia Orchestra
Carlo Maria Giulini
Recorded: 3 September 1960
Recording Venue: Lucerne, Kunsthaus

I. Allegro affettuoso

Track length15:02

$4.00

$5.15

II. Intermezzo: Andantino grazioso

Track length5:59

$1.00

$1.30

III. Allegro vivace

Track length10:53

$3.00

$3.85

Beethoven: Piano Concerto No. 2 in B flat major, Op. 19

Work length28:29

$6.00

$7.75

Leon Fleisher (piano)
Swiss Festival Orchestra
George Szell
Recorded: 29 August 1962
Recording Venue: Lucerne, Kunsthaus

I. Allegro con brio

Track length13:43

$3.00

$3.85

II. Adagio

Track length8:55

$2.00

$2.60

III. Rondo: Molto allegro

Track length5:51

$1.00

$1.30

About
Reviews
Explore

About

The eighth disc in the series Lucerne Festival Historic Performances is dedicated to two piano icons: in 1960 and 1962, with two years between them, Hungarian-born Annie Fischer and the American Leon Fleisher made their debuts at Lucerne Festival. Released here for the first time in their entirety, these live recordings document them at the peak of their art.

Sviatoslav Richter called her a “brilliant musician”, accrediting her with “great breath and true depth”. András Schiff acknowledged: “I have never heard more poetic playing in my life.” Annie Fischer, born in Budapest in 1914, gave public performances even as a child, winning the International Liszt Competition in 1930 and after that, except during the war, touring worldwide. Nonetheless, she tends to be rated as an insider’s tip, not least because she left behind only a handful of studio recordings. That makes live recordings such as this, released for the first time, all the more precious: at her only performance in Lucerne in summer 1960, Annie Fischer realised a sensitive, chamber-like and exceptionally poetic reading of the Schumann Piano Concerto with which she “garnered unusually fervent success”, according to the Neue Zürcher Zeitung. She found congenial musical partners in Carlo Maria Giulini and the Philharmonia Orchestra.

Leon Fleisher made his Lucerne debut in 1962 at the age of 34: on the peak of his rapid career which had – as had been the case with Annie Fischer – catapulted him into musical life while he was still a child. However, only a few months after his Lucerne performance – released for the first time in its entirety – he developed focal dystonia, making the use of his right hand impossible. During the following decades, Fleisher became a specialist of the left-handed repertoire until, in his old age, he was once again able to play with both hands, thanks to new medical treatments. In Lucerne, he presented himself with one of his party pieces – Beethoven’s Second Piano Concerto, which he played with an elegant and transparent tone. The Swiss Festival Orchestra was conducted by George Szell, with whom he had made a studio recording of the concerto one year previously – an interesting comparison. The second half of this concert, Brahms’ First Symphony, is already available in this series of Lucerne Festival Historic Performances and has been awarded the Diapason d’Or as well as a nomination for the International Classical Music Awards (ICMA).

The 32-page booklet in three languages provides extensive background information on Annie Fischer and Leon Fleisher, and also features photos from the festival archives of all artists involved, published here for the very first time.

Reviews

February 2016

Forceful, cleanly articulated and with a poetically charged Intermezzo, it’s a performance that shows Fischer to have been a notably strong, intellectual player.

International Classical Music Awards 2016

This recording is an important and exceptionally beautiful piece of documentation in the history of the Lucerne Festival. Both the Hungarian and the American pianists play with great sensitivity and maximum respect towards the intentions of the composers. The performances are characterized by extreme concentration, humility and lyricism.

Offer,Lucerne Festival Historic Performances Vol. VIII

CD

Downloads

Contents

Download queue