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Elgar: The Spirit of England, Carillon & With Proud Thanksgiving

Judith Howarth (soprano), Simon Callow (speaker)

London Symphony Chorus & Philharmonia Orchestra, BBC Concert Orchestra, Orchestra of St. Paul’s, John Wilson, Ben Palmer

Elgar: The Spirit of England, Carillon & With Proud Thanksgiving
Throughout the programme Wilson proves himself to be a very successful and sensitive Elgarian. In the bombastic sections he is willing to give the orchestra their head but more impressively...

Elgar: The Spirit of England, Carillon & With Proud Thanksgiving

Judith Howarth (soprano), Simon Callow (speaker)

London Symphony Chorus & Philharmonia Orchestra, BBC Concert Orchestra, Orchestra of St. Paul’s, John Wilson, Ben Palmer

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Throughout the programme Wilson proves himself to be a very successful and sensitive Elgarian. In the bombastic sections he is willing to give the orchestra their head but more impressively...

About

‘For the Fallen has always seemed to me to have in its opening bars a personal tenderness and grief, in the grotesque march, an agony of distortion, and in the final sequences a ring of genuine splendour’. These words, written by Benjamin Britten, emphasise the importance of this new release by SOMM. The Spirit of England and With Proud Thanksgiving make a poignant backdrop to our commemoration of the anniversary of World War I. In addition, the complete incidental music to Binyon's play Arthur from 1923 is recorded for the first time. Simon Callow's recitation of Carillon in Binyon’s setting from 1942 provides a perfect post-script -- a moving piece in which the poet longs for peace in a later war. Laurence Binyon (1869 – 1943) is known today for one famous verse from ‘For the Fallen’* the complete poem being the most substantial part of Elgar’s The Spirit of England the other two poems being ‘The Fourth of August’ and ‘To Women’. In 1920 Elgar arranged For the Fallen as With Proud Thanksgiving for Choir and Military Band. It was intended that this should be sung at the unveiling of the cenotaph on 11 November. In the event it was not used. This recording is of Elgar’s orchestration. For Binyon’s verse play ‘Arthur’ from 1923, Elgar wrote music for the fourteen members of the pit band of the Old Vic. The play tells of King Arthur’s last days and is the first recording of the complete music for the play in Elgar’s original orchestration that has been edited by the conductor Ben Palmer.

Contents and tracklist

No. 1, The Fourth of August
Track length7:43
No. 2, To Women
Track length6:52
No. 3, For the Fallen
Track length12:56
Now You Have Told Me
Track length0:20
End of Scene 1
Track length0:20
Introduction to Scene 2
Track length2:04
Introduction to Scene 3
Track length2:04
Put Me on the Barge
Track length0:54
Link to Scene 4
Track length0:23
Introduction to Scene 4
Track length5:16
Curtain Rises
Track length0:50
And Both Dangerous
Track length1:09
It May Be
Track length0:55
The Queen
Track length1:12
King Arthur's Fellowship
Track length0:13
As the King Wills
Track length0:27
The Radiant Rose
Track length0:13
Our Queen!
Track length0:39
Ah False
Track length0:51
Reading Letter
Track length1:23
Introduction to Scene 5
Track length1:50
No Tree Was There
Track length0:26
Introduction to Scene 7
Track length2:12
Go Lucan, to Meet Her
Track length1:01
Thy Sword
Track length2:18
End of Scene 7
Track length0:39
Introduction to Scene 8
Track length5:08

Awards and reviews

7th November 2014

Throughout the programme Wilson proves himself to be a very successful and sensitive Elgarian. In the bombastic sections he is willing to give the orchestra their head but more impressively the poetic Sospiri and delightful miniatures Carissima and Rosemary receive touchingly beautiful performances. Wilson's skill is to make them tender and poetic not cloyingly sentimental.
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