Gesualdo: Responsoria et alia ad Officium Hebdomadae Sanctae spectantia
La Compagnia del Madrigale
Awards:
-
BBC Music Magazine, July 2014, Choral & Song Choice
This new recording...surpasses all others. The singers not only reveal the depths of Gesualdo's emotional understanding, but also his formal, harmonic and textural control...La Compagnia del...
Gesualdo: Responsoria et alia ad Officium Hebdomadae Sanctae spectantia
La Compagnia del Madrigale
Purchase product
Awards:
-
BBC Music Magazine, July 2014, Choral & Song Choice
This new recording...surpasses all others. The singers not only reveal the depths of Gesualdo's emotional understanding, but also his formal, harmonic and textural control...La Compagnia del...
About
The 'Responsoria' by Carlo Gesualdo, published in 1611, represent a remarkable emotional outpouring in sacred repertory from a composer who was living out his final years amidst melancholy thoughts and an increasingly precarious state of health. It was also significant that these pieces for Holy Week should appear in the same year as the complex Sixth Book of Madrigals: an association which La Compagnia del Madrigale are keen to emphasise in this striking new recording for Glossa. Having already wowed the critics with the madrigals, La Compagnia, which includes singers of the calibre and experience of Giuseppe Maletto, Daniele Carnovich and Rossana Bertini, turns its attention to subject matter covering torment, suffering, blood and death.
Over 3 CDs Gesualdo’s creative musical response to the Passion of Christ is interspersed with spiritual madrigals from some of his best-known contemporaries: Luzzaschi, Marenzio, de Macque and Vinci, whose religious texts further underline the madrigalesque nature of the Responsoria. Also included are two comparative rarities from Gesualdo’s sacred output, 'In te Domine speravi' and 'Ne reminiscaris, Domine'.
Contents and tracklist
- La Compagnia del Madrigale
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- La Compagnia del Madrigale
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- La Compagnia del Madrigale
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- La Compagnia del Madrigale
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- La Compagnia del Madrigale
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- La Compagnia del Madrigale
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- La Compagnia del Madrigale
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- La Compagnia del Madrigale
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- La Compagnia del Madrigale
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- La Compagnia del Madrigale
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- La Compagnia del Madrigale
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- La Compagnia del Madrigale
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
- La Compagnia del Madrigale
- Recorded: June - July 2012
- Recording Venue: Roletto, Italy
Awards and reviews
-
BBC Music MagazineJuly 2014Choral & Song Choice
July 2014
This new recording...surpasses all others. The singers not only reveal the depths of Gesualdo's emotional understanding, but also his formal, harmonic and textural control...La Compagnia del Madrigale are sensitive to every word of the text as well as to every note of the music. All in all, a superb recital.
20th March 2015
The adopting of one voice per part allows for a personal colouring of the individual parts, a maximum transparency and as a result optimum clarity of the text.
27th April 2014
This is devotional music of mesmerising beauty, the state-of-the-art performances interspersed with spiritual madrigals by Luzzaschi, Marenzio and Vinci...This intense, boldly chromatic music of lamentation is rarely heard Eastertide material, especially programmed as comprehensively as here by the six elite singers.
6th March 2014
the group's meticulous attention to every verbal nuance and to all the chromatic inflections and dissonant clashes in Gesualdo's often tortured harmonies makes its point. It's wonderfully accomplished singing, very unlike any other performance of these strangely compelling pieces that I've heard, and thought-provoking at the same time.
Early Music Today Summer 2014
beautifully sung