Khachaturian: Violin Concerto in D minor
James Ehnes (violin), Melbourne Symphony Orchestra, Ehnes Quartet, Mark Wigglesworth
Ehnes’ urgent and energetic finale [of the Khachaturian] is full of gypsy spirit and freshness without feeling too sweet-toothed...This rather unusual mix of concerto and chamber music only...
Khachaturian: Violin Concerto in D minor
James Ehnes (violin), Melbourne Symphony Orchestra, Ehnes Quartet, Mark Wigglesworth
Purchase product
Ehnes’ urgent and energetic finale [of the Khachaturian] is full of gypsy spirit and freshness without feeling too sweet-toothed...This rather unusual mix of concerto and chamber music only...
About
Khachaturian’s 1940 Violin Concerto was composed for and dedicated to David Oistrakh who gave the premiere in Moscow that year. It is an instantly accessible work, infused with the music of the composer’s native Armenia, with colourful use of the orchestra and dazzling virtuosity.
Shostakovich’s 15 String Quartets form the most important body of music in the quartet repertoire after those of Beethoven. The 8th is one of the most impressive in the canon, and dates from 1960. The dedication on the score reads ‘In remembrance of the victims of fascism and war’. It was premiered in Dresden, still badly scarred by the bombing of 1945. The 7th Quartet also dates from 1960, and is dedicated to the composer’s wife Nina, who had died in 1954. It is a compact, terse, highly emotional personal musical statement.
Contents and tracklist
- James Ehnes, Melbourne Symphony Orchestra, Ehnes Quartet, Mark Wigglesworth
- James Ehnes, Melbourne Symphony Orchestra, Ehnes Quartet, Mark Wigglesworth
- James Ehnes, Melbourne Symphony Orchestra, Ehnes Quartet, Mark Wigglesworth
Awards and reviews
3rd June 2014
Ehnes’ urgent and energetic finale [of the Khachaturian] is full of gypsy spirit and freshness without feeling too sweet-toothed...This rather unusual mix of concerto and chamber music only serves to increase the desirability of this release.
6th July 2014
Wigglesworth’s Melbourne orchestra underlines Ehnes’s enthusiasm for the work with infectious elan. The coupling with two of Shostakovich’s greatest quartets is unexpected, but this is highly personal music, infused with folk idioms, yet darker and angrier. Ehnes et al perfectly capture its gloom and rage.
15th June 2014
Ehnes, here beadily accompanied by the Melbourne Symphony Orchestra ...communicates eloquently the energy and rhythmic adventure of the outer movements [of the Khachaturian], while enjoying the almost mystical mood of the central Andante.