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Lim: Tongue of the Invisible

Uri Caine (piano) & Omar Ebrahim (baritone)

ensemble musikFabrik, André de Ridder

Lim: Tongue of the Invisible
Lim deploys improvisation judiciously, keeping it strictly within bounds, and the imagery of her music can be direct in its own right, whether it's the fierce declamation of the vocal writing,...

Lim: Tongue of the Invisible

Uri Caine (piano) & Omar Ebrahim (baritone)

ensemble musikFabrik, André de Ridder

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CD

$18.75

This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched.

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Audio formats guide

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.00

320 kbps, MP3

$10.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Lim deploys improvisation judiciously, keeping it strictly within bounds, and the imagery of her music can be direct in its own right, whether it's the fierce declamation of the vocal writing,...

About

A "story of 'fixed' and 'open' things" unfolds in Liza Lim's work 'Tongue of the Invisible' on this new CD on Wergo's edition musikFabrik. Of Chinese descent, the Australia-born composer was inspired by the lyric poetry of the Sufi Persian poet Hafiz.

Contents and tracklist

I. At dawn I heard the tongue of the invisible
Track length12:15
This track is only available as an album download.
II. Between the pages of the world (I)
Track length3:02
III. This door is the mouth of love
Track length4:47
IV. Between the pages of the world (II)
Track length2:42
V. The roots of the world are entwined in the wind
Track length7:30
VI. Between the pages of the world (III)
Track length3:55
VII. Encircling its towers with a silver coronet of song
Track length14:15
This track is only available as an album download.
VIII. Our embraces are a banquet of revolving time
Track length5:36

Awards and reviews

15th August 2013

Lim deploys improvisation judiciously, keeping it strictly within bounds, and the imagery of her music can be direct in its own right, whether it's the fierce declamation of the vocal writing, the skirling wind solos or the filigree string decoration and the musical and verbal landmarks
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