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Bruno Walter’s Mahler: The Early New York Recordings

New York Philharmonic Symphony Orchestra & Westminster Choir, Bruno Walter

Bruno Walter’s Mahler: The Early New York Recordings

Awards:

Rhetoric and searing drama charge the first movement with unprecedented levels of intensity...As to the closing minutes, no performance in my experience quite equals them for a sense of unbridled...

Bruno Walter’s Mahler: The Early New York Recordings

New York Philharmonic Symphony Orchestra & Westminster Choir, Bruno Walter

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Awards:

Rhetoric and searing drama charge the first movement with unprecedented levels of intensity...As to the closing minutes, no performance in my experience quite equals them for a sense of unbridled...

About

This account of the “Resurrection” is notably more rhetorical and dramatic than Walter’s several later recordings.

Bruno Walter had a missionary zeal for Mahler’s multidimensional music.

These are two previously unreleased recordings.

Contents and tracklist

I. Langsam, schleppend
Track length12:58
II. Kraftig bewegt, doch nicht zu schnell
Track length7:01
III. Feierlich und gemessen, ohne zu schleppen
Track length11:26
IV. Sturmisch bewegt
Track length18:55
I. Allegro maestoso
Track length22:05
This track is only available as an album download.
II. Andante moderato
Track length10:37
III. In ruhig fliessender Bewegung
Track length10:17
IV. Urlicht: Sehr feierlich, aber schlicht
Track length4:40
V. Im Tempo des Scherzo: Im Tempo des Scherzo's - Wild herausfahren
Track length18:26
V. Im Tempo des Scherzo: Langsam - Misterioso
Track length14:03

Awards and reviews

  • Gramophone Magazine
    December 2012
    Re-issue of the Month

December 2012

Rhetoric and searing drama charge the first movement with unprecedented levels of intensity...As to the closing minutes, no performance in my experience quite equals them for a sense of unbridled exhilaration, the Westminster Choir singing their hearts out like no other on disc. It'll likely move you to tears and I have no hesitation whatever in naming this the pre-eminent 'historic' Mahler Second

26th August 2012

The notion that Bruno Walter’s Mahler was “soft-centred” used to be a commonplace of English criticism...These [performances], previously unissued and taken from broadcasts from Carnegie Hall, New York, in 1942, confirm that his approach was anything but soft. They bristle with fierce energy and whiplash playing. No 1 is particularly impressive.
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