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Gustave Charpentier: Music for the Prix de Rome

Manon Feubel, Sabine Devieilhe (sopranos), Helena Bohuszewicz (contralto), Julien Dran (tenor), Bernard Richter (tenor), Marc Barrard & Alain Buet (baritone)

Flemish Radio Choir, Royal Symphonic Band of the Belgian Guides & Brussels Philharmonic, Hervé Niquet

Gustave Charpentier: Music for the Prix de Rome
Two of the works here [Didon and La vie du Poete] pointed to a serious future for Charpentier in opera...the standard of performance under Herve Niquet and his chosen Belgian soloists and ensembles...

Gustave Charpentier: Music for the Prix de Rome

Manon Feubel, Sabine Devieilhe (sopranos), Helena Bohuszewicz (contralto), Julien Dran (tenor), Bernard Richter (tenor), Marc Barrard & Alain Buet (baritone)

Flemish Radio Choir, Royal Symphonic Band of the Belgian Guides & Brussels Philharmonic, Hervé Niquet

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This release includes a digital booklet

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Two of the works here [Didon and La vie du Poete] pointed to a serious future for Charpentier in opera...the standard of performance under Herve Niquet and his chosen Belgian soloists and ensembles...

About

This third release in the Prix de Rome series by Glossa is set to demonstrate a composer whose range of talents far extends beyond his famous opera 'Louise'.

After Debussy and Saint-Saëns, Hervé Niquet now turns to the dramatic realism of the late 19th century. The Italian period in Charpentier’s life (1888-1890) was actually his most fruitful creative. It was there, in Rome, that he worked on two masterly symphonic works: the one elaborating his 'Impressions d’Italie' which was to enjoy significant success right up until the Second World War; whilst the other, 'La Vie du poète', more experimental, called for three soloists, a chorus and a large symphonic orchestra. Thanks to the quality of his chorus 'La Fête des myrtes' and the magnificent Wagnerian cantata 'Didon', the composer won, in 1887, the famous Prix de Rome, opening the way for him to have a Bohemian séjour in the Villa Medici.

Contents and tracklist

I. Serenade
Track length8:13
II. A la Fontaine
Track length3:53
III. A mules
Track length4:21
IV. Sur les cimes
Track length5:45
V. Napoli
Track length12:39
Prelude
Track length3:11
Scene 1: Recitative and Air: Seule, me voila seule ici (Didon)
Track length3:46
Scene 2: Recitative: Pourquoi cette tristesse? (Didon, Enee)
Track length3:29
Scene 2: Duet: Enee aime Didon, Enne est aupres d'elle (Didon, Enee)
Track length5:43
Scene 2: Recitative: La coupable jamais ne repose ou sommeille (Didon, Enee, Anchise) - Scene 3: Enee! Enee! (Didon, Enee, Anchise)
Track length4:02
Scene 3: Air: Lavenir glorieux que tu pouvais attendre (Anchise)
Track length3:19
Scene 3: Trio: Prends pitie de mes alarmes (Didon, Enee, Anchise) - Scene 4: Enee! Il me fuit! (Didon)
Track length7:49
Act I Scene 1, "Enthusiasm": Douce Lumiere (Chorus of Inner Voices, The Poet)
Track length13:31
Act II Scene 1, "Doute": Entends-tu la nuit (Voices of the Night, A Voice) - Scene 2: Scene 2: Que me reserves-tu (The Poet, Voices of the Night)
Track length11:50
Act III: Tableau 1, "Impotence": Si l'esprit dans le vide (Voices of Malediction, The Poet)
Track length13:38
Act III: Tableau 2, "Inebriation": Sois maudit, Dieu perfide (Voices from the Past) - Scene 2: Trille, O fille (The Poet, The Girl, Voices from the Past, Voices of Tomorrow, Inner Voices)
Track length15:18

Awards and reviews

May 2012

Two of the works here [Didon and La vie du Poete] pointed to a serious future for Charpentier in opera...the standard of performance under Herve Niquet and his chosen Belgian soloists and ensembles easily crosses over from archive duty into committed championship. The Brussels and Antwerp recordings are most natural. A huge recommendation, especially for Didon.

February 2012

The result is a kind of operatic symphony and some of the music is stunning...this performance is preferable to the 1934 performance by Charpentier. For a start, modern recording allows us to hear the considerable delights of the orchestration, and the orchestral playing and choral singing are superior too...there is so much lovely music here.
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