Grundman, J: A Mortuis Resurgere (The Resurrection of Christ)

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Release Date: 2nd Jun 2014
Catalogue No: CHSA5138
Label: Chandos
Length: 54 minutes

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Grundman, J: A Mortuis Resurgere (The Resurrection of Christ), Evangelium secundum Ioannem. Capitulo XIX

Work length13:33

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Brodsky Quartet, Susana Cordon
Recorded: 4-6 June 2013
Recording Venue: IES San Fernando, Madrid, Spain

Largo

Track length5:26

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Salmodia ad libitum. Post haec autem rogavit Pilatum

Track length4:14

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A tempo

Track length3:53

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Grundman, J: A Mortuis Resurgere (The Resurrection of Christ), Evangelium secundum Ioannem. Capitulo XX

Work length29:12

$7.00

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Brodsky Quartet, Susana Cordon
Recorded: 4-6 June 2013
Recording Venue: IES San Fernando, Madrid, Spain

Prima autem sabbatorum Maria Magdalene venit ma ne

Track length4:44

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Nondum enim sciebant Scripturam

Track length2:31

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Vocalise

Track length3:10

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Vocalise - Dum ergo fleret, inclinavit se in monumentum

Track length4:44

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Iam noli me tenere, nondum enim ascendi ad Patrem

Track length4:12

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Thomas autem, unus ex Duodecim, qui dicitur Didymus

Track length5:27

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Crotchet = 50

Track length4:24

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Grundman, J: A Mortuis Resurgere (The Resurrection of Christ), Evangelium secundum Ioannem. Credo

Work length4:57

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Brodsky Quartet, Susana Cordon
Recorded: 4-6 June 2013
Recording Venue: IES San Fernando, Madrid, Spain

Credo in unum Deum

Track length4:57

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Grundman, J: A Mortuis Resurgere (The Resurrection of Christ), Evangelium secundum Ioannem. Hosanna

Work length6:15

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$1.30

$1.75

Brodsky Quartet, Susana Cordon
Recorded: 4-6 June 2013
Recording Venue: IES San Fernando, Madrid, Spain

Vocalise - Hosanna in excelsis Deo

Track length6:15

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About
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About

Jorge Grundman uses his unique compositional voice to create music which, above all, communicates with remarkable directness. The simplicity and strength of his artistic vision, intended to reach the widest audience possible, is clear in A Mortuis Resurgere, a work here receiving its premiere recording. Scored for soprano and string quartet, A Mortuis Resurgere sets passages from chapters XIX and XX of St John’s Gospel telling the story of the resurrection of Christ.

Throughout its extended single movement the soprano soloist is required to use a wide range of expressive vocal techniques to communicate the meaning of the Latin text. Supporting the soprano voice is the string quartet, its slowly changing harmonies animated by a surface of rapid rhythmic figurations, all of which combine to produce shifting textures. The contemplative modal-based harmonies are typical of Grundman’s style and form a part of his artistic vision to bridge the gap between pop and classical music.

Joining the Brodsky Quartet is the Spanish soprano Susana Cordón, for whom the challenging vocal part was written. Renowned for its diverse and pioneering collaborations, the Brodsky Quartet has been vital in the development of Grundman’s style, having worked closely with the composer on a number of his earlier works.

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