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Bernstein: Violin Sonata, Piano Trio & New Transcriptions

Opus Two: William Terwilliger (violin) & Andrew Cooperstock (piano), Charles Bernard (cello), Marin Mazzie (soprano)

William Terwilliger's coloratura violin in 'Glitter and be gay', coming complete with bungee-jumping glissandos and gravity-don't-bother-me note leaps, is infused with the spirit of Bernstein's...

Bernstein: Violin Sonata, Piano Trio & New Transcriptions

Opus Two: William Terwilliger (violin) & Andrew Cooperstock (piano), Charles Bernard (cello), Marin Mazzie (soprano)

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William Terwilliger's coloratura violin in 'Glitter and be gay', coming complete with bungee-jumping glissandos and gravity-don't-bother-me note leaps, is infused with the spirit of Bernstein's...

About

This disc collects three of Leonard Bernstein’s very few examples of chamber music.

Contents and tracklist

I. Grazioso - Un poco più mosso (Arr. W. Terwilliger for violin and piano)
Track length4:01
II. Andantino - Vivace e leggiero (Arr. W. Terwilliger for violin and piano)
Track length7:04
I. Moderato assai
Track length4:43
II. Variations on Movement I
Track length11:09
I. Adagio non troppo - Allegro vivace
Track length7:31
II. Tempo di marcia
Track length3:25
III. Largo - Allegro vivo e molto ritmico
Track length4:51
My House (Arr. E. Stern for soprano, violin and piano)
Track length3:44
Take Care of This House (Arr. E. Stern for soprano, violin and piano)
Track length4:17
I. Moderato (I am Easily Assimilated) [arr. E. Stern for violin and piano]
Track length3:48
II. Andantino cantabile (You Were Dead, You Know) [arr. E. Stern for violin and piano]
Track length2:20
III. Aria (Glitter and Be Gay) [arr. E. Stern for violin and piano]
Track length5:40
IV. Andante moderato (Make our Garden Grow) [arr. E. Stern for violin and piano]
Track length4:23

Awards and reviews

April 2011

William Terwilliger's coloratura violin in 'Glitter and be gay', coming complete with bungee-jumping glissandos and gravity-don't-bother-me note leaps, is infused with the spirit of Bernstein's original vocal lines but sounds effortlessly virtuosic...And so the Bernstein formula for composition was born - borrow what you like, it's the resonance and inventiveness of the mix that counts.

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