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Elîna Garanča: Habanera

Elîna Garanča (mezzo), Orchestra Sinfonica Nazionale della RAI, Coro Filarmonico del Regio di Torino, Karel Mark Chichon

Elîna Garanča: Habanera

Awards:

Garanča's is a medium-scale mezzo approach, elegant and devoid of ugly lurches into chest voice.

Elîna Garanča: Habanera

Elîna Garanča (mezzo), Orchestra Sinfonica Nazionale della RAI, Coro Filarmonico del Regio di Torino, Karel Mark Chichon

Purchase product

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320 kbps, MP3

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

Awards:

Garanča's is a medium-scale mezzo approach, elegant and devoid of ugly lurches into chest voice.

About

Elîna Garanča’s supple, seductive mezzo is aflame with the neon hues and rhythmic dash of Romany in excerpts from beguiling Gypsy roles in opera and operetta. Stand alone numbers add to the panache of Habanera.

With gorgeous pieces eliciting every gift Elîna Garanca boasts as a musician, Habanera's instrumental accompaniments – whether RAI’s full orchestra, small ensemble or guitar – add to the sultry atmosphere.

Conductor Karel Mark Chichon contributes taut yet elastic leadership that enhances the charm and variety of Elîna Garanca’s selections.

On this album, the ‘dialects’ derived from Gypsy musical language include Bizet’s Carmen, Chueca’s Tango de la Ermenegilda, Bernstein’s Candide, Lehar’s Hör ich Zymbalklänge and unknown gems like Obradors’ El vito (see the exceptional music video) making for a musically enlightening and delightful program.

Every generation has its “must see” Carmen. In 2010, the list of definitive gypsy seductresses – glittering with names like Baltsa, Bumbry, Calvé, Farrar, and Stevens – is enriched by the addition of Elīna Garanča.

After her triumphant success as Carmen in Riga, London, and Munich, Elīna Garanča, “the Carmen of our day” (News, Austria), has taken the NY Metropolitan Opera by storm in January 2010. This production was filmed live and the 2 DVD Set in 5.1 DTS surround sound will be released simultaneously.

The Wiener Zeitung said it all when it observed of Garanča’s Carmen that “the role and the singer are perfectly matched”.

Contents and tracklist

Canción de Paloma
Track length3:01
Séguedille et Duo: "Près des remparts de Séville"
Track length4:41
Hör' ich Zymbalklänge
Track length4:33
I Dreamt I Dwelt In Marble Halls
Track length4:54
4. Canción de cuna para dormir a un negrito
Track length2:52
Canción del amor dolido
Track length1:30
5. Nana
Track length1:36
Romanza de Socorro "Cunado está tan honda"
Track length6:07
I Am Easily Assimilated (Old Lady's Tango)
Track length4:00
4. Jota
Track length2:59
"De España vengo"
Track length6:24
Chanson: "Les tringles des sistres tintaient"
Track length4:46
El vito
Track length3:20
Cancion de la gitana
Track length1:48
"L'amour est un oiseau rebelle" (Havanaise)
Track length4:42
"L'amour est un enfant Bohème" (Havanaise 1st version)
Track length3:49

Spotlight on this release

Awards and reviews

  • Presto Recording of the Week
    23rd August 2010
  • Gramophone Magazine
    October 2010
    Editor's Choice

December 2010

Garanča's is a medium-scale mezzo approach, elegant and devoid of ugly lurches into chest voice.

November 2010

Garanča gorgeous voice comes as a fantastic package: it caresses the ear with its velvety warmth, tingles the spine with its ringing bright overtones, and impresses the imagination with its well-supported evenness from top to bottom.

October 2010

Garanča's voice has been described as "creamy", "silken" and "lustrous" (her chest register is superbly produced) but it also has a surprisingly rounded maturity. What sets her apart, however, is the unteachable ability to send shivers down the spine and make grown men salivate.

23rd August 2010

a brilliantly conceived album which shows off the agile and seductive voice of Garanča to the full...You can hear a lot of flamenco influence throughout this disc and the accompaniments vary between full orchestra, small ensemble and guitar.

9th September 2010

Her voice impresses, though one notices that the sound has brightened of late, and that a newly found ease at the top has come...The shift allows her to interpolate a showy, but thrilling top B into Carmen's Seguidilla, and to tackle De España Vengo, the big soprano number from Luna's El Niño Judío, with abandoned ease.

13th September 2010

Garanča may be Lithuanian but her mezzo-soprano has Mediterranean sensuality and warmth.

28th August 2010

Smoochy, smoky, with lambent top notes
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