Hans Gál: Violin Concerto, Violin Concertino & Triptych for Orchestra: World Premiere Recordings

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Woods directs a highly polished account [of Triptych] but the orchestral playing throughout is most assured. Avie's sound is excellent but it is the music that compels attention. Strongly recommended. — Gramophone Magazine, September 2010 More…

Release Date: 7th Jun 2010
Catalogue No: AV2146
Label: Avie
Length: 70 minutes

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Gál, H: Concerto for violin and small orchestra, Op. 39

Work length25:45

$4.00

$5.60

Annette-Barbara Vogel, Northern Sinfonia
Kenneth Woods

I. Fantasia

Track length10:33

$1.50

$2.10

II. Arioso

Track length6:54

$1.00

$1.40

III. Rondo

Track length8:18

$1.50

$2.10

Gál, H: Triptych

Work length26:11

$4.50

$6.30

Northern Sinfonia
Kenneth Woods

Three movements for orchestra, Op. 100: I. Impromptu: Allegro risoluto

Track length10:08

$1.50

$2.10

Three movements for orchestra, Op. 100: II. Lament: Andante

Track length7:40

$1.50

$2.10

Three movements for orchestra, Op. 100: III. Comedy: Allegro con spirito

Track length8:23

$1.50

$2.10

Gál, H: Concertino for violin and string orchestra, Op. 52

Work length18:11

$3.00

$4.20

Annette-Barbara Vogel, Northern Sinfonia
Kenneth Woods

I. Andante tranquillo

Track length9:37

$1.50

$2.10

II. Rigaudon: Allegro giusto

Track length8:34

$1.50

$2.10

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Avie’s support of the music of Hans Gál continues with three world premiere recordings and the label’s first foray into the composer’s orchestral works.

Avie continues to champion the works of Hans Gál with the label’s first foray into the “continental Briton’s” orchestral oeuvre. The album of three premiere recordings is framed by two works for violin and orchestra, both from the 1930s but written under entirely contrasting circumstances. When he wrote the Violin Concerto in 1931-32, Gál was at the height of his career and enjoying widespread recognition. By the time the Concertino was composed in 1939, his life had been turned upside down by the catastrophic Nazi occupation of Germany and later Austria, forcing Gál and his family to flee to Britain in 1938. Despite this life-altering situation, Gál’s musical language remained remarkably steadfast – optimistic and true to his tonal core; the differences between the Concerto and the Concertino are essentially a matter of scale, not of style. Triptych stems from 1970 and was composed in less than a month, an astonishing burst of creative energy for one in his 80th year. A fitting testimony to Gál’s life and outlook, the work’s finale is exuberant, virtuosic and totally life-affirming.

German violinist Annette-Barbara Vogel, who previously recorded a disc of Gál’s chamber works with piano for Avie, has become one of the composer’s most ardent proponents.

She says, “Early on, I was struck by how genuine and pure Gál’s music was … when I think of the man’s musical language: nostalgic…” In both supporting and main roles, the Northern Sinfonia give ardent performances under the baton of up-and-coming American conductor Kenneth Woods.

Reviews

September 2010

Woods directs a highly polished account [of Triptych] but the orchestral playing throughout is most assured. Avie's sound is excellent but it is the music that compels attention. Strongly recommended.

Hans Gál: Violin Concerto, Violin Concertino & Triptych for Orchestra

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