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Peter Dickinson - Mass of the Apocalypse

Peter Dickinson, John Flinders (pianos), Duke Dobing (flute), Revd Donald Reeves (speaker), Jo Maggs (soprano), Meriel Dickinson (mezzo-soprano), St James’s Singers, James Holland and David Johnson (percussion), John Alley (piano) & Henry Herford (baritone-speaker)

The Nash Ensemble, Ivor...

Peter Dickinson - Mass of the Apocalypse
…the Larkin homage, and more particularly the Mass, remain the most substantial work, the latter announced by an all-too-predictable apocalyptic crash, but deftly contriving an imaginative interactive...

Peter Dickinson - Mass of the Apocalypse

Peter Dickinson, John Flinders (pianos), Duke Dobing (flute), Revd Donald Reeves (speaker), Jo Maggs (soprano), Meriel Dickinson (mezzo-soprano), St James’s Singers, James Holland and David Johnson (percussion), John Alley (piano) & Henry Herford (baritone-speaker)

The Nash Ensemble, Ivor...

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This release includes a digital booklet

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…the Larkin homage, and more particularly the Mass, remain the most substantial work, the latter announced by an all-too-predictable apocalyptic crash, but deftly contriving an imaginative interactive...

About

Peter Dickinson weaves together musical styles popular and classical, past and present, using a technique of ‘style modulation’.

In his Mass of the Apocalypse the Book of Revelations’ visions of a new heaven and earth interact with the liturgical text. The music of Sidney Bechet and Bix Beiderbecke played at Philip Larkin’s memorial service suggested the means for him to set the words of the great British poet, himself a jazz critic.

His Five Forgeries spoof the styles of famous composers, while the other works showcase different aspects of his many-sided talent.

Jennifer Bate’s recording of Dickinson’s complete solo organ works is available on Naxos 8572169.

Tracks 2-6 of this disc were previously issued by Conifer in 1989.

Artists

Peter Dickinson, John Flinders (pianos), Duke Dobing (flute), Revd Donald Reeves (speaker), Jo Maggs (soprano), Meriel Dickinson (mezzo-soprano), St James’s Singers, James Holland and David Johnson (percussion), John Alley (piano) & Henry Herford (baritone-speaker)

The Nash Ensemble, Ivor Bolton & Lionel Friend

Contents and tracklist

II. Lullaby (Arr. For flute and piano)
Track length3:23
Kyrie
Track length4:03
Sanctus and Benedictus
Track length3:31
Agnus Dei
Track length5:07
Gloria
Track length4:03
Ite missa est
Track length6:19
Prelude to Reasons for Attendance
Track length1:25
Reasons for Attendance
Track length1:56
Commentary on Reasons for Attendance
Track length1:41
Prelude to for Sidney Bechet
Track length1:17
For Sidney Bechet
Track length1:55
Commentary on for Sidney Bechet
Track length1:18
Prelude to Love Songs in Age
Track length4:33
Love Songs in Age
Track length2:01
Commentary on Love Songs in Age
Track length1:41
Prelude to Reference Back
Track length2:14
Reference Back - Conclusion
Track length4:03
No. 1, Poulenc: Vif et gai
Track length2:34
No. 2, Hindemith: Sehr langsam - Massig schnell
Track length1:48
No. 3, Stravinsky: Eighth note = 120-144
Track length1:47
No. 4, Delius: Slow
Track length2:51
No. 5, Bartok: Pesante
Track length1:25
No. 1, Contemplation I
Track length2:31
No. 2, Invention I
Track length1:18
No. 3, Contemplation II
Track length3:34
No. 4, Invention II
Track length1:25
No. 5, Contemplation III
Track length2:09

Awards and reviews

January 2010

…the Larkin homage, and more particularly the Mass, remain the most substantial work, the latter announced by an all-too-predictable apocalyptic crash, but deftly contriving an imaginative interactive conjunction of Missa brevis…and the Book of Revelation. ...Dickinson's ear for jazz yields some fertile commentary, and if the Five Early Pieces are well-made rather than ear-catching, the Five Forgeries contain some affectionate quasi-pastiches affectionately played.

June 2010

Peter Dickinson and Philip Larkin make a surprisingly plausible pairing...The Nash Ensemble make an unexpectedly decent fist at evoking New Orleans salty-dog funk, responding to Dickinson's slyly astute caricatures.
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