Prokofiev: Piano Concertos Nos. 1 - 5
Boris Berman (piano) & Horacio Gutierrex (piano)
Royal Concertgebouw Orchestra, Neeme Järvi
Awards:
-
Gramophone Magazine, September 2009, Re-issue of the Month
Berman is incisive in Prokofiev's Concertos Nos 1, 4 and 5, but the highlight of this set is Horacio Gutiérrez's hair-raising playing in Concertos Nos 2 and 3. Terrific orchestral support.
Prokofiev: Piano Concertos Nos. 1 - 5
Boris Berman (piano) & Horacio Gutierrex (piano)
Royal Concertgebouw Orchestra, Neeme Järvi
Purchase product
Awards:
-
Gramophone Magazine, September 2009, Re-issue of the Month
Berman is incisive in Prokofiev's Concertos Nos 1, 4 and 5, but the highlight of this set is Horacio Gutiérrez's hair-raising playing in Concertos Nos 2 and 3. Terrific orchestral support.
About
“As a package, their claims are strong, both artistically and in terms of recording quality,” awarded three stars by Penguin Guide. The Guardian wrote, “No one is more warmly dramatic in Prokofiev than Jarvi, making his issues consistently recommendable.”
As part of our on-going re-issue of Neeme Jarvi’s famous Prokofiev Chandos now re-releases The Piano Concertos performed by Boris Berman and Horacio Gutiérrez with the Royal Concertgebouw Orchestra.
This has proved to be a very popular set in the past, and is now priced at one full price CD.
Contents and tracklist
- Neeme Järvi, Royal Concertgebouw Orchestra, Horacio Gutierrez
- Neeme Järvi, Royal Concertgebouw Orchestra, Horacio Gutierrez
Awards and reviews
-
Gramophone MagazineSeptember 2009Re-issue of the Month
August 2009
Berman is incisive in Prokofiev's Concertos Nos 1, 4 and 5, but the highlight of this set is Horacio Gutiérrez's hair-raising playing in Concertos Nos 2 and 3. Terrific orchestral support.
September 2009
…Cuban-American Gutiérrez unleashes some of the most thrilling virtuosity on record, storming the Second Concerto's first movement development/cadenza in a manner that will make lesser pianists tremble. He is no less stunning in the less obviously demanding Third Concerto where once again his ebullience is complemented by flawless technique and musicianship. Berman (Boris, not Lazar) may offer less supercharged vitality but all three of his performances alternate poise and exuberance to a most stylish and musical degree. Järvi works hand in glove with his soloists and the result is a triumph. No recorded collection of the complete concertos, whether deleted or available, comes within distance of this.
