Herbert Von Karajan - Concertos for Orchestra Salzburg 1957

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Offer,Herbert Von Karajan - Concertos for Orchestra Salzburg 1957

Live Recordings 1957

Géza Anda (piano), Gerty Herzog (piano), Lisa Della Casa & Dietrich Fischer-Dieskau

Wiener Singverein, Berliner Philharmoniker & Wiener Philharmoniker, Herbert von Karajan

Release Date: 26th Aug 2008
Catalogue No: C773084
Label: Orfeo
Series: Orfeo d'Or, Salzburger Festspieldokumente
Length: 5 hours 9 minutes

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Bruckner: Symphony No. 8 in C minor

Work length1:21:16

Album only

Wiener Philharmoniker
Herbert von Karajan
Recording Venue: Live recording, Salzburger Festspiele, Austria

I. Allegro moderato [Live]

Track length15:39

$4.00

$5.15

II. Scherzo. Allegro moderato - Langsam [Live]

Track length15:01

$4.00

$5.15

III. Adagio. Feierlich langsam, doch nicht schleppend [Live]

Track length25:25

Album only

IV. Finale. Feierlich, nicht schnell [Live]

Track length25:11

Album only

Mozart: Symphony No. 35 in D major, K385 'Haffner'

Work length17:11

$4.00

$5.20

Berliner Philharmoniker
Herbert von Karajan
Recording Venue: Live recording, Salzburger Festspiele, Austria

I. Allegro con spirito (Live)

Track length5:34

$1.00

$1.30

II. Andante (Live)

Track length4:18

$1.00

$1.30

III. Menuetto (Live)

Track length3:17

$1.00

$1.30

IV. Finale. Presto (Live)

Track length4:02

$1.00

$1.30

Mozart: Piano Concerto No. 21 in C major, K467 'Elvira Madigan'

Work length27:56

$6.00

$7.75

Géza Anda
Berliner Philharmoniker
Herbert von Karajan
Recording Venue: Live recording, Salzburger Festspiele, Austria

I. Allegro maestoso (Live)

Track length13:37

$3.00

$3.85

II. Andante (Live)

Track length7:24

$2.00

$2.60

III. Allegro vivace assai (Live)

Track length6:55

$1.00

$1.30

Mozart: Symphony No. 41 in C major, K551 'Jupiter'

Work length27:27

$6.00

$7.80

Berliner Philharmoniker
Herbert von Karajan
Recording Venue: Live recording, Salzburger Festspiele, Austria

I. Allegro vivace (Live)

Track length8:08

$2.00

$2.60

II. Andante cantabile (Live)

Track length8:43

$2.00

$2.60

III. Menuetto. Allegretto (Live)

Track length4:40

$1.00

$1.30

IV. Molto allegro (Live)

Track length5:56

$1.00

$1.30

Brahms: Ein Deutsches Requiem, Op. 45

Work length1:16:05

$18.00

$23.15

Dietrich Fischer-Dieskau, Lisa della Casa
Wiener Singverein, Wiener Philharmoniker
Herbert von Karajan
Recording Venue: Live recording, Salzburger Festspiele, Austria

I. Selig sind, die da Leid tragen (Live)

Track length11:34

$3.00

$3.85

II. Denn alles Fleisch es ist wie Gras (Live)

Track length14:52

$3.00

$3.85

III. Herr, lehre doch mich (Live)

Track length10:51

$3.00

$3.85

IV. Wie lieblich sind deine Wohnungen (Live)

Track length5:33

$1.00

$1.30

V. Ihr habt nun Traurigkeit (Live)

Track length8:05

$2.00

$2.60

VI. Denn wir haben hie keine bleibende Statt (Live)

Track length12:54

$3.00

$3.85

VII. Selig sind die Toten (Live)

Track length12:16

$3.00

$3.85

Berger, T: Sinfonia parabolica

Work length26:59

$7.00

$9.05

Berliner Philharmoniker
Herbert von Karajan
Recording Venue: Live recording, Salzburger Festspiele, Austria

I. Scivolando (Live)

Track length7:58

$2.00

$2.60

II. Planando (Live)

Track length11:24

$3.00

$3.85

III. Rotando (Live)

Track length7:37

$2.00

$2.60

Einem: Piano Concerto, Op. 20

Work length21:18

$5.00

$6.50

Gerty Herzog
Berliner Philharmoniker
Herbert von Karajan
Recording Venue: Live recording, Salzburger Festspiele, Austria

I. Molto moderato (Live)

Track length7:46

$2.00

$2.60

II. Adagio (Live)

Track length7:13

$2.00

$2.60

III. Allegro con spirito (Live)

Track length6:19

$1.00

$1.30

Honegger: Symphony No. 3, H186 'Liturgique'

Work length31:33

$7.00

$9.00

Berliner Philharmoniker
Herbert von Karajan
Recording Venue: Live recording, Salzburger Festspiele, Austria

I. Dies Irae. Allegro marcato (Live)

Track length6:26

$1.00

$1.30

II. De profundis clamavi. Adagio (Live)

Track length13:00

$3.00

$3.85

III. Dona nobis pacem. Andante (Live)

Track length12:07

$3.00

$3.85

About
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About

1957 was Herbert von Karajan's first year as artistic director of the Salzburg Festival, and he was determined to leave the world in no doubt about his versatility as a conductor. Four orchestral concerts featured not only core works from the symphonic repertory but also music with which his name is nowadays only rarely associated.Above all, however, he imported the Berlin Philharmonic and divided the concerts between them and the Vienna Philharmonic, a body of players that had previously had no rivals in Salzburg.At the 1957 Festival's opening concert, it was Vienna's leading orchestra which, in keeping with tradition, performed Bruckner's Eighth Symphony in a reading that was arguably more 'earthy' and less otherworldly than other performances under Karajan. In particular, the tone colours of the strings and winds, applied with particular assurance and power, enabled the conductor to achieve a sense of the greatest solemnity entirely commensurate with the occasion.The following day the Berlin Philharmonic and their principal conductor brought to an all-Mozart programme the virtuosic and lively interpretative style that orchestra and conductor shared.The programme on this occasion included the 'Haffner' and 'Jupiter' Symphonies and the C major Piano Concerto with Géza Anda as the soloist. For their second concert with Karajan, the Berliners returned to the Mozarteum - a venue that is nowadays hard to imagine as the setting for such an occasion - for a programme made up entirely of contemporary works, namely, the world première of the Sinfonia parabolica by Theodor Berger, a pupil of Franz Schmidt and Erich Wolfgang Korngold, Gottfried von Einem's Piano Concerto and Honegger's Symphonie liturgique, this last-named work in an interpretation that the conductor had the courage to invest with real emotional weight. Honegger's symphony is very much a confessional work, allowing Karajan to forge a link between it and the piece that he conducted on 22 August in the Felsenreitschule: Brahms's German Requiem. Here the Vienna Philharmonic was joined by the Vienna Singverein, a chorus that the conductor was to use in many of the great works of the choral repertory over a period of several decades, and by the two soloists Lisa Della Casa and Dietrich Fischer-Dieskau.The result was a performance whose very special qualities can perhaps be best appreciated only at a distance of half a century.

Offer,Herbert Von Karajan - Concertos for Orchestra Salzburg 1957

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