This is an impressive disc indeed: a strong cast, a varied programme, and music of great integrity and beauty. In relation to many British scores that have garnered recent critical praise, Harvey more than holds his own. The three pieces – two of them recorded here for the first time – date from the 1980s and 90s. Each introduces a 'foreign' element to the orchestra in a slightly different way. There are elements of the competitive streak between soloist and orchestra in the Percussion Concerto; in Song Offerings relations between the two elements are more symbiotic, as one might expect; but in Madonna of Winterand Spring, the most extended piece here, the 'foreign' element is assumed by synthesisers and electronics. This piece, in particular, sums up Harvey's preoccupations: the interaction of the different media, and the programmatic elements derived from the composer's faith.
At intervals the orchestra recedes, creating electro- acoustic 'windows' reminiscent of similarly mixed-media scores (Birtwistle and Boulez come to mind); at others, individual instruments appear in a quasi-soloistic context, adding an extra dimension to the texture. Moreover, the quality of these interpretations gives this recording a special appeal. The electro-acoustic element is well captured, and conveys something of the spatial imaging mentioned in the composer's insert-notes.
All three pieces receive committed, dynamic interpretations: if only contemporary music could always enjoy such advocacy.

...this is an important disc by any standards..