Haydn: Keyboard Concertos No. 3, 4 and 11

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Like Emanuel Ax on Sony, Leif Ove Andsnes confines himself to the three concertos that have been fully authenticated.
Had the works generally known as 'the Haydn piano concertos' been these three... — Gramophone Classical Music Guide, 2010 More…

Release Date: 1st Jan 2000
Catalogue No: 5569602
Label: Warner Classics
Length: 53 minutes

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October 2005

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Gramophone Awards

2000

Winner - Concerto
Gramophone Awards

2000

Winner - Concerto

Haydn: Piano Concerto in G Major, Hob XVIII

Work length17:58

$3.00

$3.90

Leif Ove Andsnes (piano)
Norwegian Chamber Orchestra
Leif Ove Andsnes
Recorded: 1998-06-09
Recording Venue: 6-9 June 1998, Lommedalen Church

3: Allegro

Track length7:44

$1.00

$1.30

3: Adagio

Track length6:35

$1.00

$1.30

3: Finale - rondo

Track length3:39

$1.00

$1.30

Haydn: Piano Concerto in F Major, Hob XVIII

Work length17:17

$3.00

$3.90

Leif Ove Andsnes (piano)
Norwegian Chamber Orchestra
Leif Ove Andsnes
Recorded: 1998-06-09
Recording Venue: 6-9 June 1998, Lommedalen Church

4: Allegro

Track length8:26

$1.00

$1.30

4: Largo cantabile

Track length4:59

$1.00

$1.30

4: Finale - presto

Track length3:52

$1.00

$1.30

Haydn: Piano Concerto D Major, Hob XVIII

Work length18:19

$3.00

$3.90

Leif Ove Andsnes (piano)
Norwegian Chamber Orchestra
Leif Ove Andsnes
Recorded: 1998-06-09
Recording Venue: 6-9 June 1998, Lommedalen Church

11: Vivace

Track length7:27

$1.00

$1.30

11: Un poco adagio

Track length6:28

$1.00

$1.30

11: Rondo all 'Ungherese

Track length4:24

$1.00

$1.30

Reviews
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Reviews

2010

Like Emanuel Ax on Sony, Leif Ove Andsnes confines himself to the three concertos that have been fully authenticated.
Had the works generally known as 'the Haydn piano concertos' been these three and not a rag-bag of juvenilia and pieces attributed to Haydn, the canon might have been more highly thought. But even the slightest work can dazzle and delight if it's performed as well as these are here. Where Ax's performances have a slightly monochrome feel, everything tapped out (there's much audible fingerwork) with the same well-adjusted mix of energy and sensibility, Andsnes's playing is altogether more various, while perfectly at one with itself stylistically.
Ax's Franz Liszt Chamber Orchestra is the more idiomatic of the two ensembles in the D major Concerto's Rondo all'Ungarese, but that's about the only occasion on which it has the edge over Andsnes's stylish and highly articulate Norwegian Chamber Orchestra; and even here Andsnes himself scores points for a less noisy plunge into the interlude in D minor and a more sunlit and finely flighted way with the episode which follows. The Norwegian players are never afraid to play full out, a strategy which the explicit but carefully balanced recording is happy to underwrite. Thus the players make much of the 'look here, young man' chromaticisms in the first movement of the D major Concerto as the piano chatters irrepressibly on; and they contribute decisively to the superbly articulated – nay, revelatory – performance of the G major Concerto with which the disc begins. After a splendidly jaunty account of the first movement, Andsnes pushes this G major Concerto to its limits with a decidedly skilfully shaped account of the glooming C major slow movement and a dashing account of the concluding Presto. His playing of the Largo cantabile of the F major Concerto – the concerto's centrepiece and its raison d'être – is the very embodiment of sweetness and light. This is a simply marvellous disc.

Haydn: Keyboard Concertos No. 3, 4 and 11

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