Name: Tveitt: Variations on a Hardanger Folk Song & Piano Concerto No. 4
Price: 13.75 USD
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Tveitt: Variations on a Hardanger Folk Song & Piano Concerto No. 4

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There are many musical depictions of the Northern Lights, but few if any on quite so lush and expansive a scale as Tveitt's Fourth Piano Concerto (1947). A paean to this extraordinary natural... — Gramophone Classical Music Guide, 2010 More…

Catalogue No: 8555761
Label: Naxos
Length: 60 minutes

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Tveitt: Variations on a Folk Tune from Hardanger

Work length31:01

Album only

Håvard Gimse (piano), Gunilla Sussmann (piano)
Royal Scottish National Orchestra
Bjarte Engeset

Variations on a Folk Song from Hardanger for Two Pianos and Orchestra

Track length31:01

Album only

Tveitt: Piano Concerto No. 4, Op. 130, "Aurora Borealis"

Work length29:55

$7.00

$9.05

Håvard Gimse (piano)
Royal Scottish National Orchestra
Bjarte Engeset

I. The Northern Lights awakening above the autumn colours

Track length12:20

$3.00

$3.85

II. Glittering in the winter heavens, and …

Track length8:05

$2.00

$2.60

III. Fading away in the bright night of spring

Track length9:30

$2.00

$2.60

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Reviews

2010

There are many musical depictions of the Northern Lights, but few if any on quite so lush and expansive a scale as Tveitt's Fourth Piano Concerto (1947). A paean to this extraordinary natural phenomenon, it's conceived on a Baxian scale following a seasonal cycle with its kaleidoscopic first movement, 'The Northern Lights awakening above the autumn colours', running to almost 31 of the whole 51-minute length. The slower central span, 'Glittering in the winter heavens, and…' is more straightforward and the swifter final movement ('Fading away in the bright night of spring') acts as an epilogue. The manuscript of the Fourth Concerto was lost in the calamitous 1970 fire that destroyed Tveitt's home and 80 per cent of his output. Christian Eggen was able to reconstruct it from the orchestral parts and a two-piano reduction, leaving the Third to be issued (Nos 2 and 6 are irretrievably lost). The coupling here is the delightful Variationson a Folksong from Hardanger for two pianos and orchestra, written in 1939 for Tveitt to play with his first wife, a highly diverse late-Romantic effusion and a real winner. The performances are superb, Gimse totally in the Tveitt style with exemplary support from the RSNO and Bjarte Engeset; Gunilla Süssmann makes a splendid second soloist in the Variations. Excellent sound and a marvellous disc.

Special offer. Tveitt: Variations on a Hardanger Folk Song & Piano Concerto No. 4

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