Fantasía
Maximiliano Martín (clarinet) & Inocencio Negrín (piano)
…Maximiliano Martín, has an attractive tone, reliable intonation and nimble technique. …for clarinet buffs there's an early Fantasia by Nielsen; two pieces by the 20th-century clarinet virtuoso...
Fantasía
Maximiliano Martín (clarinet) & Inocencio Negrín (piano)
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…Maximiliano Martín, has an attractive tone, reliable intonation and nimble technique. …for clarinet buffs there's an early Fantasia by Nielsen; two pieces by the 20th-century clarinet virtuoso...
About
Contents and tracklist
- Maximiliano Martin (clarinet), Inocencio Negrín (piano)
- Recorded: 22-23 and 28 October 2004
- Recording Venue: Henry Wood Hall, London, United Kingdom
- Maximiliano Martin (clarinet), Inocencio Negrín (piano)
- Recorded: 22-23 and 28 October 2004
- Recording Venue: Henry Wood Hall, London, United Kingdom
- Maximiliano Martin (clarinet), Inocencio Negrín (piano)
- Recorded: 22-23 and 28 October 2004
- Recording Venue: Henry Wood Hall, London, United Kingdom
- Maximiliano Martin (clarinet), Inocencio Negrín (piano)
- Recorded: 22-23 and 28 October 2004
- Recording Venue: Henry Wood Hall, London, United Kingdom
- Maximiliano Martin (clarinet), Inocencio Negrín (piano)
- Recorded: 22-23 and 28 October 2004
- Recording Venue: Henry Wood Hall, London, United Kingdom
- Maximiliano Martin (clarinet), Inocencio Negrín (piano)
- Recorded: 22-23 and 28 October 2004
- Recording Venue: Henry Wood Hall, London, United Kingdom
- Maximiliano Martin (clarinet), Inocencio Negrín (piano)
- Recorded: 22-23 and 28 October 2004
- Recording Venue: Henry Wood Hall, London, United Kingdom
Awards and reviews
September 2006
…Maximiliano Martín, has an attractive tone, reliable intonation and nimble technique. …for clarinet buffs there's an early Fantasia by Nielsen; two pieces by the 20th-century clarinet virtuoso and teacher Miguel Yuste Moreno, a Spanish-flavoured 'Picturesque Caprice' and a tuneful 'Melodic Study'; and a 19th-century fantasy on Donizetti by an earlier Spanish clarinettist, Antonio Romero y Andía.
November 2006
An attractive recital from the charismatic Spanish clarinettist Maximiliano Martín (currently principal of the SCO) made the more so by superbly clean, clear articulation, balanced by ravishingly long-breathed lyrical phrasing and the highly sympathetic partnership provided by Inocencio Negrín.
