Tchaikovsky: Morceaux & Chopin: Nocturne No. 20

Pletnev brings Tchaikovsky's music vividly to life — BBC Music Magazine, 1st July 2008 More…

Release Date: 11th Apr 2005
Catalogue No: E4775378
Label: DG
Length: 69 minutes

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Tchaikovsky: Morceaux (18), Op. 72

Work length1:04:33

$15.30

$18.90

Mikhail Pletnev (piano)
Recorded: 2004-06-02
Recording Venue: Tonhalle Zürich

1. Impromptu

Track length3:45

$0.85

$1.05

2. Berceuse

Track length5:43

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$1.05

3. Tendres reproches

Track length2:08

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$1.05

4. Danse caractéristique

Track length3:17

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$1.05

5. Méditation

Track length5:13

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$1.05

6. Mazurque pour danser

Track length2:17

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7. Polacca de concert

Track length4:50

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$1.05

8. Dialogue

Track length3:29

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$1.05

9. Un poco di Schumann

Track length2:57

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$1.05

10. Scherzo-fantaisie

Track length6:06

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11. Valse bleuette

Track length2:22

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12. L'espiègle

Track length1:51

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13. Echo rustique

Track length2:12

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14. Chant élégiaque

Track length6:20

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15. Un poco di Chopin

Track length2:02

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16. Valse à cinq temps

Track length1:36

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17. Passé lointain

Track length3:36

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18. Scène dansante (invitation au trépak)

Track length4:49

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Chopin: Nocturne No. 20 in C sharp minor, Op. post.

Work length5:06

$0.85

$1.05

Mikhail Pletnev (piano)
Recorded: 2004-06-02
Recording Venue: Tonhalle Zürich

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Reviews

1st July 2008

Pletnev brings Tchaikovsky's music vividly to life

2010

Mikhail Pletnev's persuasive 1986 recording of Tchaikovsky's 18 Morceaux for Melodiya was unfortunately hampered by strident sound and an ill-tuned piano. Happily, a state-of-the-art situation prevails in this new live recording for Deutsche Grammophon, extending, of course, to Pletnev's own contributions. His caring, characterful and technically transcendent way with this cycle casts each piece in a three-dimensional perspective that honours the composer's letter and spirit beyond the music's 'salon' reputation, while making the most of its pianistic potential. The results are revelatory, akin to, say, Ignaz Friedman's illuminating re-creations of Mendelssohn's Songs Without Words.
The Fifth Morceau, 'Meditation', demonstrates the Pletnev-Tchaikovsky chemistry at its most sublime. The melodies are firmly projected yet flexibly arched over the bar-lines, as if emerging from different instruments, culminating in a febrile central climax that gently dissipates into some of the most ravishing trills on record. In No 8, 'Dialogue', Pletnev elevates Tchaikovsky's quasi parlando with the type of off-hand skill and pinpoint timing of a master actor who knows just which lines to throw away.
Note, too, the deliciously pointed scales and music-box colorations in No 13, 'Echo rustique'.
Shades of Liszt's Third Liebestraum seep into No 14, 'Chant élégiaque', in what amounts to a masterclass in how to sustain long melodies against sweeping accompaniments. A stricter basic pulse throughout No-9, 'Un poco di Schumann', might have made the dotted rhythms and two strategically placed ritenutos more obviously Schumannesque, yet there's no denying the inner logic the looser treatment communicates.
There's extraordinary virtuosity behind the musical insights. For example, the interlocking octaves in the coda to No-7, 'Polacca de concert', are unleashed with Horowitz- like ferocity and not a trace of banging. The rapid, vertigoinducing triplet runs in No 10, 'Scherzo- fantaisie', could scarcely be more even and controlled.
Pletnev is all over the final, unbuttoned trepak in grand style, and he certainly makes the glissandos swing. A fresh, unfettered account of Chopin's C sharp minor Nocturne is offered as an encore to this urgently recommended recital.

Tchaikovsky: Morceaux & Chopin: Nocturne No. 20

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