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Fascinating recordings of rarely heard virtuoso gems...No. 18 begins operatically on the G string: its Allegro con fuoco is jagged and fierce with harmonics. — The Strad, October 2019 More…

In the D-Major No. 21, Rashidova’s control of widely spaced, continuous double-stopped thirds is remarkable. No. 22 in B Minor puts up a powerful front with its towering triple-stopped chords,... — Fanfare, Nov/Dec 2020 More…

Nazrin Rashidova is at the peak of her technical and expressive range. Her liner-essay introduces each of these pieces in turn as well as giving necessary factual 'colour' around Sauret. — MusicWeb International, August 2017 More…