Browse: Hi Res Download, Scarlatti, A (composer)
Cleopatra - Baroque Arias
Regula Mühlemann (soprano)
La Folia Barockorchester, Robin Peter Müller
Mühlemann makes everything sound easy. But it’s not just virtuosity, as the beauty of her voice also stops you in your tracks. — More…
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Arie Napoletane: Max Emanuel Cencic
Max Emanuel Cencic (countertenor)
Il Pomo D'Oro, Maxim Emelyanychev
Cencic negotiates this complex emotional parabola wonderfully well. This is a great voice, dark in tone, beguiling in its liquidity and finely equalised. His coloratura flows with great ease...though... — More…
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New, Toccata
Elisa Netzer (harp)
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Alessandro Scarlatti: Con eco d'amore
Elizabeth Watts (soprano), Mark Bennett (trumpet), Huw Daniel (violin) & Laurence Cummings (continuo, director)
The English Concert
As her career has progressed, Watts hasn't lost the ability to get to the heart of an aria and peel back the layers…there's scintillating playing from The English Concert, including a dashing... — More…
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Quella Fiamma - Arie Antiche
Nathalie Stutzmann (contralto/musical direction), Shai Kribus (oboe), Patrick Langot (cello), Marie-Domitille Murez (harp) & Miguel Rincòn (theorbo)
Her approach is highly expressive, coaxing performances are nothing if not fiery. Stutzmann wrings every ounce of meaning and emotion from the texts, lending them real dramatic power – even outside... — More…
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New, An Enduring Legacy: Dr. Ralph Woodward with the BYU A Cappella Choir, 1964–84 (Live)
Charlotte Webb (flute), Beth Ruppe (flute), Brent Mecham (bassoon), Martin Wright (piano), Judd Shafer (counter-tenor), Shirley Smurthwaite (soprano), Gayle Groo (soprano), Mark Hopkin (tenor), Chip Prince (piano)
BYU A Cappella Choir, Ralph Woodward
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Die Edition zum 80 Geburtstag
Peter Schreier (tenor), Erik Reike (bassoon), Friedrich Kircheis (organ), Eckart Haupt (flute), Edith Mathis (soprano), Erika Wustmann (soprano), Gerda Schriever (alto), Siegfried Vogel (bass), Walter Olbertz (piano), Konrad Ragossnig (guitar), Norman Shetler (piano), Peter Rosel (piano), Marian Lapsansky...
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Siface: L’amor castrato
Arias by Stradella, Pasquini, Cavalli, Scarlatti et al.
Filippo Mineccia (countertenor)
Nereydas, Javier Ulises Illán
This is repertory...that for the most part suits his dark, handsome-sounding alto uncommonly well. Long, slowly unfolding lines are sustained with consummate ease and his coloratura has admirable... — More…
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Francesca Aspromonte: Prologue
Music by Monteverdi, Caccini, Cavalli, Stradella & Scarlatti
Francesca Aspromonte (soprano)
Il pomo d’oro, Enrico Onofri
The material is somewhat limiting – all those beginnings and no endings – but it gives her more scope than one might think. — More…