Browse: Hi Res Download, Scarlatti, A (composer)
Max Emanuel Cencic (countertenor)
Il Pomo D'Oro, Maxim Emelyanychev
Cencic negotiates this complex emotional parabola wonderfully well. This is a great voice, dark in tone, beguiling in its liquidity and finely equalised. His coloratura flows with great ease...though... — More…
Elizabeth Watts (soprano), Mark Bennett (trumpet), Huw Daniel (violin) & Laurence Cummings (continuo, director)
The English Concert
As her career has progressed, Watts hasn't lost the ability to get to the heart of an aria and peel back the layers…there's scintillating playing from The English Concert, including a dashing... — More…
Nathalie Stutzmann (contralto/musical direction), Shai Kribus (oboe), Patrick Langot (cello), Marie-Domitille Murez (harp) & Miguel Rincòn (theorbo)
Her approach is highly expressive, coaxing performances are nothing if not fiery. Stutzmann wrings every ounce of meaning and emotion from the texts, lending them real dramatic power – even outside... — More…
Charlotte Webb (flute), Beth Ruppe (flute), Brent Mecham (bassoon), Martin Wright (piano), Judd Shafer (counter-tenor), Shirley Smurthwaite (soprano), Gayle Groo (soprano), Mark Hopkin (tenor), Chip Prince (piano)
BYU A Cappella Choir, Ralph Woodward
Peter Schreier (tenor), Erik Reike (bassoon), Friedrich Kircheis (organ), Eckart Haupt (flute), Edith Mathis (soprano), Erika Wustmann (soprano), Gerda Schriever (alto), Siegfried Vogel (bass), Walter Olbertz (piano), Konrad Ragossnig (guitar), Norman Shetler (piano), Peter Rosel (piano), Marian Lapsansky...
Arias by Stradella, Pasquini, Cavalli, Scarlatti et al.
Filippo Mineccia (countertenor)
Nereydas, Javier Ulises Illán
This is repertory...that for the most part suits his dark, handsome-sounding alto uncommonly well. Long, slowly unfolding lines are sustained with consummate ease and his coloratura has admirable... — More…