Browse: Hi Res Download, Scarlatti, A (composer)
Mühlemann makes everything sound easy. But it’s not just virtuosity, as the beauty of her voice also stops you in your tracks. — More…
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Arie Napoletane: Max Emanuel Cencic
Max Emanuel Cencic (countertenor)
Il Pomo D'Oro, Maxim Emelyanychev
Cencic negotiates this complex emotional parabola wonderfully well. This is a great voice, dark in tone, beguiling in its liquidity and finely equalised. His coloratura flows with great ease...though... — More…
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New, L'Assunzione della Beata Vergine: Alessandro Scarlatti
Ensemble Baroque de Monaco, Matthieu Peyrègne
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The interweaving voices produce an attractive juxtaposition of density and transparency. Texts are declaimed crisply yet sensitively, melismatic vowels possess compassionate luminosity, and plangent... — More…
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As usual Scarlatti’s music flits between Handelian spaciousness and the more compact and direct expression of the late 17th century. Yet consistent to it is a strong lyrical gift and a song-writer’s... — More…
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Siface: L’amor castrato
Arias by Stradella, Pasquini, Cavalli, Scarlatti et al.
Filippo Mineccia (countertenor)
Nereydas, Javier Ulises Illán
This is repertory...that for the most part suits his dark, handsome-sounding alto uncommonly well. Long, slowly unfolding lines are sustained with consummate ease and his coloratura has admirable... — More…
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Alessandro Scarlatti: Con eco d'amore
Elizabeth Watts (soprano), Mark Bennett (trumpet), Huw Daniel (violin) & Laurence Cummings (continuo, director)
The English Concert
As her career has progressed, Watts hasn't lost the ability to get to the heart of an aria and peel back the layers…there's scintillating playing from The English Concert, including a dashing... — More…
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Pre-order, Alessandro Scarlatti: Quella pace gradita
The Recorder & Violin Cantatas
Giuseppina Bridelli (mezzo-soprano), Alicia Amo (soprano), Filippo Mineccia (counter-tenor)
Josetxu Obregón
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Due for release on 12th Apr 2019