Browse: DVD Video, Le Concert d'Astrée (orchestra)
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Handel: Rodelinda
Jeanine de Bique (Rodelinda), Tim Mead (Bertarido), Benjamin Hulett (Grimoaldo), Avery Amereau (Eduige), Jakub Józef Orliński (Unulfo), Andrea Mastroni (Garibaldo), Aminata Diouaré (Flavio, the child)
Le Concert d'Astrée, Emmanuelle Haïm
Awards:
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Opus Klassik Awards, 2020, Nominee - Male Singer of the Year (Orliński)
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Opus Klassik Awards, 2020, Nominee - Conductor of the Year
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Opus Klassik Awards, 2020, Winner - Opera (up to and including 18th-century)
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Natalie Dessay: Baroque
Natalie Dessay (soprano)
Le Concert d’Astrée, Les arts Florissants, Emmanuelle Haïm, William Christie
2 CDs + DVD Video
$15.50 -
Mozart: La finta giardiniera, K196
Carlo Allemano (Don Anchise, Podestà), Erin Morley (Sandrina/Violante), Enea Scala (Comte Belfiore), Marie-Adeline Henry (Arminda), Marie-Claude Chappuis (Ramiro), Maria V. Savastano (Serpetta) & Nikolay Borchev (Roberto (Nardo))
Le Concert d'Astrée, Emmanuelle Haïm, David Lescot
Lescot mercifully refrains from 'clever' gags…The characters, all clad in contemporary white costumes, and their chaotic relationships are clearly drawn...All the cast seem natural stage animals... — More…
Awards:
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BBC Music Magazine, November 2015, Opera Choice
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Monteverdi: L'incoronazione di Poppea
Sonya Yoncheva (Poppée), Max Emanuel Cencic (Néron), Ann Hallenberg (Octavie), Tim Mead (Othon), Paul Whelan (Sénèque) & Amel Brahim-Djelloul (Drusilla)
Le Concert d'Astrée, Emmanuelle Haïm (conductor) & Jean-François Sivadier (stage director)
[Haim leads with] a fine sensitivity towards the urgent, tensile springiness of the melodic lines; and a superb handling of the instrumental forces...The title role here is taken by the suitably... — More…
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Monteverdi: Il ritorno d'Ulisse in patria
Rolando Villazón (Ulysse), Magdalena Kožená (Pénélope), Katherine Watson (Junon), Kresimir Spicer (Eumée), Anne-Catherine Gillet (L’Amour/Minerve), Maarten Engeltjes (La Fragilité humaine/ Pisandre), Callum Thorpe (Le Temps/Antinoüs)
Le Concert d'Astrée, Emmanuelle Haïm
Clément’s ‘pop vision’ of the opera muddles historical periods and genres in an attempt to convey the work’s timeless universality…Among the chaos, Magdalena Kožená retains her dignity, pouring... — More…
