Browse: Download, Locke (composer)
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Perpetual Night
17th Century Ayres and Songs
Lucile Richardot (contralto)
Ensemble Correspondances, Sébastien Daucé
The title may be ‘Perpetual Night’ but there’s absolutely nothing gloomy or unremitting about this delicious disc and its chiaroscuro play of shading and texture…Lawes and Locke may never quite... — More…
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Neatly articulated modern instrument performances. — More…
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Pavans and Fantasies from the Age of Dowland
Recommended
John Holloway (violin, viola), Monika Baer (violin, Renate Steinmann (violin), Susanna Hefti (viola), Martin Zeller (bass violin)
Dowland himself was prepared to countenance performances with violin consort. This is the less familiar route Holloway and his colleagues have chosen, deploying four violas atop a bass violin...The... — More…
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Choral blend and enunciation are immaculate, at their very best in Martin's Songs of Ariel…it's particularly good to see 'Let mine eyes run down with tears' among the more familiar numbers -... — More…
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Terence Charlston plays persuasively. He has a fresh, off-the-key touch…all recorded with admirable immediacy. — More…
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Geoffrey Bush: Works for chamber orchestra
Raphael Wallfisch (cello)
Northern Chamber Orchestra, Nicholas Ward
[Natus est Immanuel is] a deeply touching and notably deft miniature...Throughly engaging, too, are the Two Miniatures for strings from 1948 and Concerto for light orchestra...A winning release,... — More…
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The Trio Sonata in 17th-Century England
Ingrid Seifert, Richard Gwilt (violins), Charles Medlam (bass viol), Terence Charlston (harpsichord, chamber organ)
London Baroque
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Locke's five-part suite for the reconstituted royal wind band...it is performed here with nuanced shading and flawless technique...The aromatic tint of Westminster Abbey's bells and library soundscapes...all... — More…
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In The Bells she’s arguably a touch stiff…but there’s a structural steadfastness that generates a cumulative grandeur in all of the more extended works…All told, an agreeably stimulating anthology... — More…
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