Browse: Presto Recordings of the Year, Shostakovich (composer)

Powerful and beautifully crafted, this recording – the first from the relationship between DG and the Boston Symphony under Nelsons – is a hugely impressive sign of just what this ensemble/maestro... — Gramophone Magazine, August 2015 More…

Nelsons is spry and precisioned and his insistence on super-keen rhythm pays off big-time...The Fifth Symphony is quite marvellous...and like the Tenth should dominate the catalogue for a long... — Gramophone Magazine, August 2016 More…

Gugnin rivets us in orchestral-sounding climaxes…and the metaphysical twilight zones in between…Gugnin finds surprising poetry in the music...[The Limpid Stream] requires only poetic sensibility,... — BBC Music Magazine, December 2019, More…

Nelsons keeps a firm grip on the unfolding of the drama [in the 11th]. And here, as in the Fourth, his Boston Symphony Orchestra responds with supreme virtuosity from every section. Whether or... — BBC Music Magazine, October 2018, / More…

The playing here, disarmingly gentle yet tonally seductive, has a songful use of vibrato that recalls the expressive manners of Pierre Fournier and du Pré herself…A most rewarding CD then, sure... — Gramophone Magazine, March 2018 More…

Shostakovich’s two cello concertos present such different challenges, it’s a rare cellist who shines as brightly in both. Alisa Weilerstein is well-matched to the First Concerto: fierce, tight... — BBC Music Magazine, Christmas 2016, More…

Here at last is a recording to persuade sceptics that Prokofiev's Cello Concerto is not just an interesting but rather drab failure...both Isserlis and Jarvi leave their competition standing... — BBC Music Magazine, Awards Issue 2015, More…

It’s the symphony that might or might not have recalibrated Shostakovich’s future and it’s still one of the trickiest to pull off in performance. Noseda meets it halfway – which makes for pluses... — Gramophone Magazine, December 2019 More…

Bass Alexei Tanovitski could be more nuanced, but there's no faulting the Estonians' open, searing sounds...Bright, open children's voices join authentic choral fervour and the engineering gives... — BBC Music Magazine, August 2015, More…

a highly engrossing experience...the Takács come to the music from a somewhat different angle to their Soviet and Russian counterparts, emphasising closer connections with Western musical traditions... — BBC Music Magazine, June 2015, More…