listening to these wonderful performances side by side is cathartic...The journey is vividly delineated from the outset of the Berg. With Abbado drawing sonorities from his first-rate orchestra,... — BBC Music Magazine, April 2012, More…

These Boston players give immaculately polished accounts of all five [chamber] works … The recording is excellent – clear without dryness, warm without over-resonance — Gramophone Magazine More…

The strong emotions that soloist and conductor doubtless felt within six months of the composer's death ensure that there is more than enough raw and authentic feeling to counter any purely technical... — Gramophone Magazine, May 2010 More…

Perlman's account of the Berg Violin Concerto with the Boston orchestra under Ozawa has long occupied a respected place in the catalogue. The original reviewer in Gramophone in March 1980 was... — Gramophone Classical Music Guide, 2010 More…

assurance and engagement are fully evident here, and it's not just in the response to the variety of tone and timbre asked for, but in the care over intonation - always a potential problem in... — BBC Music Magazine, March 2015, More…

The opening account of Schumann’s best known quartet, Op 41 No 3 in A minor, gives a good sense of the warmth and immediacy of Quartet Gerhard’s playing, but it’s Berg’s Lyric Suite that shows... — The Guardian, 5th October 2017, More…

A live recording, in every sense of the word.
The cast is uniformly excellent, with Grundheber good both at the wretched pathos of Wozzeck's predicament and his helpless bitterness, and Behrens... — Gramophone Classical Music Guide, 2010 More…

Suk at his incomparably eloquent, unaffacted best. Ancerl and the Czech PO provide luminous support, and Supraphon's mid-60s sound has come up very freshly.
Josef Suk gives an outstanding... — Gramophone Classical Music Guide, 2010 More…