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Latest News: Classical, Recording of the Week

  • Recording of the Week, Carmen from Berlin with Kaufmann and Kožená

    by Katherine Cooper

    The light-voiced Czech mezzo and heavyweight German tenor are an appropriately chalk-and-cheese pairing as the free-spirited gypsy and her obsessive soldier lover, with Kožená’s husband Simon Rattle conducting the Berliner Philharmoniker in a performance which emphasises the score’s opéra comique pedigree.

  • Recording of the Week, Mahler Symphony No. 1 from Iván Fischer

    by James Longstaffe

    The Hungarian conductor and his Budapest orchestra bring a wonderfully rustic, unrefined flavour to Mahler’s völkisch central movements, in an interpretation which benefits from Fischer’s ear for balance and attention to the smallest details of orchestration.

  • Recording of the Week, Rhapsody in Blue – Grosvenor and Kempf

    by Chris O'Reilly

    Two former BBC Young Musician of the Year prize-winners record Gershwin’s best-known work – Kempf as part of an all-Gershwin programme, Grosvenor alongside Saint-Saëns Piano Concerto No. 2.

  • Recording of the Week, Hans Rott’s First Symphony

    by Katherine Cooper

    Paavo Järvi and the Frankfurt Radio Symphony Orchestra make a great case for the sole symphony by a composer who was described by his friend Gustav Mahler as ‘the founder of the new symphony as I understand it.’

  • Recording of the Week, L’Olimpiade: The Opera

    by Katherine Cooper

    The Venice Baroque Orchestra and a fine line-up of singers present a pasticcio setting of a libretto by Metastasio, with contributions from composers including Caldara, Vivaldi, Galuppi, Hasse and Paisiello.

  • Recording of the Week, Holst and Delius on Naxos

    by Chris O'Reilly

    JoAnn Falletta conducts the Ulster Orchestra in Holst’s Cotswolds Symphony, and David Hill directs Delius’s Nietzsche-inspired Mass for Life with the Bournemouth Symphony Orchestra.

  • Recording of the Week, Richard Strauss round-up

    by James Longstaffe

    Elektra from Valery Gergiev and the London Symphony Orchestra, Die Frau ohne Schatten from the 2011 Salzburg Festival, and the Four Last Songs from Anne Schwanewilms.

  • Recording of the Week, New Shostakovich discovery - Orango

    by Katherine Cooper

    Esa-Pekka Salonen conducts the world premiere recording of an embryonic opera which Shostakovivch abandoned partway through the Prologue, fleshed out and orchestrated here by Gerard McBurney.

  • Recording of the Week, Vivaldi from Rachel Podger

    by Chris O'Reilly

    Following her Gramophone Award-winning recording of La stravaganza in 2003, the British baroque violinist tackles La cetra with Holland Baroque Society.

  • Recording of the Week, Two terrific Italian Renaissance reconstructions

    by Katherine Cooper

    A new Venetian Coronation from Paul McCreesh and the Gabrieli Consort, and a reconstruction of a typical Italian Vespers programme from circa 1612 from Robert Hollingworth and I Fagiolini.

  • Recording of the Week, Shostakovich Symphonies from Petrenko and the RLPO

    by Chris O'Reilly

    The seventh instalment of the Russian conductor’s acclaimed Shostakovich cycle finds his Liverpool orchestra on top form in the Second and Fifteenth Symphonies.

  • Recording of the Week, Bach's St Matthew Passion

    by Katherine Cooper

    Peter Sellars’s ‘ritualization’ of the work with Simon Rattle conducting the Berliner Philharmoniker packs a powerful punch, thanks in no small part to Mark Padmore’s harrowing central performance as the Evangelist.

  • Recording of the Week, Bruckner Symphonies from Rattle and Barenboim

    by James Longstaffe

    Daniel Barenboim conducts the Staatskapelle Berlin in the Seventh Symphony, whilst Sir Simon Rattle and the Berliner Philharmoniker tackle the Ninth.

  • Recording of the Week, Handel in England

    by Katherine Cooper

    The Edinburgh-based Dunedin Consort record Esther, Christian Curnyn and the Early Opera Company make a fine case for the incidental music for Smollett’s Alceste, and a legendary Glyndebourne Theodora makes its first appearance on CD.

  • Recording of the Week, Britten: War Requiem

    by James Longstaffe

    Gianandrea Noseda leads an Italianate performance of Britten’s great depiction of ‘the pity of war’, with the London Symphony Orchestra and Chorus and soloists Sabina Cvilak, Ian Bostridge and Simon Keenlyside.

  • Recording of the Week, Hamilton Harty’s Chamber Music

    by Chris O'Reilly

    The Goldner String Quartet and Piers Lane bring out all the charm and flamboyance of the Irish composer’s two string quartets and piano quintet, dating from the early 1900s and composed shortly after Harty relocated to London.

  • Recording of the Week, Kathleen Ferrier

    by Katherine Cooper

    On the centenary of Ferrier’s birth, Katherine pays to tribute to the great Lancashire contralto and explores her legacy on disc via two comprehensive commemorative sets from Decca and EMI, which includes folksongs, Bach and Mahler.

  • Recording of the Week, Berlioz’s Symphonie Fantastique from Ticciati and the SCO

    by James Longstaffe

    Now several years into his tenure as principal conductor of the Scottish Chamber Orchestra, the young British conductor presides over a ‘deliriously orgiastic’ account of Berlioz’s ‘episodes in the life of an artist’.

  • Recording of the Week, New and forthcoming Opera DVDs

    by Katherine Cooper

    Angela Gheorghiu and Jonas Kaufmann in Cilea's Adriana Lecouvreur from Covent Garden, Juan Diego Flórez, Diana Damrau and Joyce DiDonato in Rossini's Le Comte Ory from the Metropolitan Opera.

  • Recording of the Week, Claude Debussy

    by James Longstaffe

    James explores three collections marking the 150th anniversary of the composer’s birth, with highlights including Boulez’s Pélleas et Mélisande, Michael Tilson Thomas’s Le Martyre de Saint Sébastien, and Jean-Yves Thibaudet’s Préludes.