New. Perspectives on Greek Musical Modernism

Contents

• About the Contributors
• Introduction
• Petros Vouvaris
• 1. Greek musical modernism in context
• Ioannis Tsagkarakis
• 2. Musical modernism in Greece: An overview
• Kostas Chardas and Giorgos Sakallieros
• 3. Dimitri Mitropoulos in the 1920s: The pioneering steps of musical modernism in Greece
• Giorgos Sakallieros
• 4. Sonata form, sonata cycle, and multi-movement coherence in Nikos Skalkottas’s free dodecaphonic works
• Eva Mantzourani
• 5. Nikos Skalkottas’s May Day Spell – A Fairy Drama: Symbolic fusion of diatonicism and chromaticism
• Costas Tsougras
• 6. Nikos Skalkottas’s musical borrowings and the art of collecting ideas
• Petros Vouvaris
• 7. Struggling for the ‘new’ in the 1950s: Twelve-note/tonal interactions in Symphony No. 3 and Concerto for orchestra by Yannis A. Papaioannou
• Kostas Chardas
• 8. A selective appropriation: Yorgos Sicilianos between modernism and postmodernism
• Valia Christopoulou
• 9. Michael Adamis’s poly-melodic structures and the creative renegotiation of Byzantine musical heritage
• Theodore Karathodoros
• 10. On Christou
• Panos Vlagopoulos
• 11. Three components of Xenakis’s universe
• Makis Solomos
• 12. On the evolution of Xenakis’s compositional thinking
• Dimitris Exarchos
• 13. Beyond the stave: Performance indeterminacy and the limits of Greek musical experimentalism
• Danae Stefanou
• Index