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Music Documentaries for Radio

 New,Music Documentaries for Radio

  • Author: Coley, Sam

Book

$52.00

Printed on demand

Estimated despatch time 7 - 10 days

Contents

  • Introduction
  • Defining the music documentary
  • The music documentary in academic studies
  • The radio producer
  • Authenticity in radio production practice
  • Conclusions
  • References
  • Chapter One: Historicising the music documentary
  • Defining the radio documentary and the music documentary
  • Online opportunities
  • The changing role of the radio producer
  • Conclusions
  • Note
  • References
  • Chapter Two: Public service and commercial radio
  • Academic investigations in the field of radio studies
  • The political economy of radio
  • The viability of music documentaries
  • Conclusions
  • Notes
  • References
  • Chapter Three: Music
  • The use of music within music documentaries
  • Track selection in music documentaries
  • "Beat matching" in music documentaries
  • The music "bed" in music documentaries
  • Conclusions
  • Notes
  • References
  • Chapter Four: Production practices
  • Comparisons between audio and visual forms of documentary production
  • Radio production practices
  • Conclusions
  • Notes
  • References
  • Chapter Five: Interviewing
  • Securing interview talent for music documentaries
  • Interviewing for music documentaries
  • Recording on-location interviews
  • Recording online and remote interviews
  • Conclusions
  • Notes
  • References
  • Chapter Six: Presentation
  • The voice
  • Structuring and presentation
  • The role of the presenter in documentary commissioning
  • Scripting for radio documentary presentation
  • Conclusions
  • Notes
  • References
  • Chapter Seven: Editing
  • Editing music documentaries for radio
  • Structuring music documentary content
  • Representations of truth
  • Conclusions
  • Notes
  • References
  • Chapter Eight: Idea generation and commissioning
  • Commissioning music documentaries to build radio audiences
  • Audience considerations in commissioning radio documentaries
  • Programming considerations in music documentaries
  • Educational and compliance considerations in the commissioning process
  • Alternative funding streams for music documentaries
  • The value of radio awards
  • Conclusions
  • Notes
  • References
  • Chapter Nine: New technologies
  • Online audio platforms and distribution
  • Online engagement with contributors and audiences
  • The re-appropriation of online content
  • The visualisation of radio content
  • Conclusions
  • Notes
  • References
  • Chapter Ten: Freelance practices
  • Freelance radio production in the cultural industries
  • Workflow in freelance music documentary production
  • Commissioning opportunities for freelancers
  • Conclusions
  • Notes
  • References
  • Chapter Eleven: Final thoughts
  • References
  • Index