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Sondheim in Our Time and His

  • Editor: Sheppard, W. Anthony

Book

$42.00

Usually despatched in 5 - 7 working days

Contents

  • Introduction: Our Sondheim
  • W. ANTHONY SHEPPARD
  • Part I. Early Stages
  • 1. Williams College Before, During, and After Sondheim
  • STEVE SWAYNE
  • 2. Fragments of Fairyland: Sondheim's Abandoned Adaptation of Mary Poppins
  • DOMINIC McHUGH
  • 3. ...nearly everything I wrote: Sondheim and the Actors Studio
  • JEFFREY MAGEE
  • 4. Breakout from the Asylum of Conformity: Sondheim, Laurents, and the Dramaturgy of Anyone Can Whistle
  • JAMES O'LEARY
  • Part II. Staging Identities
  • 5. Sondheim's Whiteness
  • TODD DECKER
  • 6. Politics, Representation, and Collaboration in Pacific Overtures (1976)
  • ASHLEY M. PRIBYL
  • 7. Sexual Identity in Company, 1969-2019
  • ANDREW BUCHMAN
  • 8. Students Performing Gender with Sondheim's Musicals in the Age of #MeToo
  • STACY WOLF
  • Part III. Versions, Genres, and Collaborations
  • 9. Sweeney's Identity Crisis and the Dynamic Potential of Generic Hybridity
  • KIM H. KOWALKE
  • 10. A sad and listless affair: The Unsung Film Adaptation of Sondheim's A Little Night Music
  • GEOFFREY BLOCK
  • Part IV. Reconceived Structures and Techniques
  • 11. Time and Time Again: Temporal Structures in Sondheim's Musicals
  • JIM LOVENSHEIMER
  • 12. Sunday in the Park with Sondheim, Lapine, Seurat, and Babbitt
  • LARA E. HOUSEZ
  • 13. Sondheim and the 11 O'clock Principle
  • ELIZABETH A. WELLS
  • 14. Finishing the Line: Wit, Rhythm, and Rhyme in Sondheim
  • W. ANTHONY SHEPPARD
  • Afterword: Moving on with Sondheim
  • KRISTEN ANDERSON-LOPEZ