Music and Musicians in Renaissance Rome and Other Courts

Contents

• Part 1 . Musicians, Music, and Performance Practice at the Papal Court.
• 1. Notes on Some Papal Documents in Paris. Stdi Musicali
• 12. Florence, 1983.
• 2. A Note on the Biography of Juan del Encina. Bulletin of the Comediantes
• 34. Los Angeles, 1982.
• 3. New Archival Data Cocnerning the Chapel of Clement VII. Journal of the American Musicological Society 29, Philadelphia, 1976.
• 4. From the Diary of a 16 th -Century Papal Singer. Current Musicology
• 25. New York, 1978.
• 5. A Letter from Paolo Animuccia: A Composer's Response to the Council of Trent. Early Music
• 12. Oxford, 1984.
• 6. Notes on the Biography and Music of Bertrandus Vaqueras (ca. 1450-1507). Studien zur Musikgeschichte: Eine Festschrift Fur Ludwig Finscher, ed. Annegrit Laubenthal. Kassel, 1995.
• 7. The Relationship Between a Vatican Source of the Gloria of Josquin's Missa de Beata Virgine and Petrucci's Print. Atti del XIV Congresso della Societa Internazionale di Musicologia, ed. Angelo Pompilio et al.Bologna, 1990.
• 8. Illibata dei Virgo Nutrix and Josquin's Roman Style. Journal of American Musicological Society
• 41. Philadelphia, 1987.
• 9. The Medici Coat of Arms in a Motet for Leo X. Early Music
• 15. Oxford 1987.
• 10. Ceremonies for Holy Week, Papal Commissions, and Madness (?) in Early Sixteenth-Century Rome. Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, ed. Jesse Ann Owens and Anthony M. Cummings, Detoit Monographs in Musicology/St
• 18. Warren, 1997.
• 11. The Singers of the Papal Chapel and Liturgical Ceremonies in the Early Sixteenth Century: Some Documentary Evidence. Rome in the Renaissance, the City and the Myth, ed. P.A. Ramsey. Binghamton, 1982.
• 12. Speculations on Repertory, Performance Practice, and Ceremony ni the Papel Chapel in the Early Sixteenth Century. Studien zur Geschichte der Papstlichen Kapelle: Tagungsbericht Heidelberg 1989, Cappellae Apostolicae Sixtinaeque Collectanea Acta Monu
• 13. Performance Practice in the Papal Chapel during the 16 th Century. Early Music
• 15. Oxford, 1987.
• 14. Competence and Incompetence in the Papal Choir in the Age of Palestrina. Early Music
• 22. Oxford, 1994.
• Part 2 . Archival Studies: Other Renaissance Courts and Cities.
• 15. Mecenatismo Musicale a Mantova: Le Nozze di Vicenzo Gonzaga e Margherita Farnese. Rivista Italiana di Musicologia
• 19. Florence, 1984.
• 16. Gugliemo Gonzaga and the Castrati. Renaissance Quarterly
• 33. New York, 1980.
• 17. The Publications of Gugliemo Gonzaga. Journal of the American Musicological Society
• 31. Philadelphia, 1978.
• 18. Lorenzo de' Medici, Duke of Urbino, as a Patron of Music. Renaissance Studies in Honour of Craig Hugh Smyth, ed. Piero Morselli et al. Florence, 1985.
• 19. Verdelot in Florence, Coppini in Rome, and the Singer 'La Fiore'. Journal of the American Musicological Society
• 37. Philadelphia, 1984.
• 20. The Membership of the Chapels of Louis XII and Anne de Bretagne in the Years Preceding their Deaths. The Journal of Musicology
• 6. Los Angeles, 1988.
• 21. A Canon, a Choirboy, and Homosexuality in Late Sixteenth-Century Italy: A Case Study. Journal of Homosexuality
• 21. Binghamton, 1991.