Studies in the Printing, Publishing and Performance of Music in the 16th Century

Contents

• Contents: Introduction. Printing: The 'first' edition of the Odhecaton A
• Petrucci's type-setters and the process of stemmatics
• A case of work and turn half-sheet imposition in the early 16th century
• Printed music books of the Italian Renaissance from the point of view of manuscript study
• The Salzburg liturgy and single-impression music printing. Publishing: Early music printing: working for a specialized market
• Some non-conflicting attributions, and some newly anonymous compositions, from the early 16th century
• The music publisher's view of his public's abilities and taste: Venice and Antwerp. Performance: Notational spelling and scribal habit
• False relations and the cadence
• Two aspects of performance practice in the Sistine Chapel of the early 16th century. Indexes.