Carmen Abroad: Bizet's Opera on the Global Stage

Contents

• List of figures
• List of tables
• List of contributors
• Foreword and acknowledgements
• Part I . Establishment in Paris and the repertoire:
• 1. Carmen at home and abroad Clair Rowden and Richard Langham Smith
• 2. Carmen's second chance: revival in Vienna Laura Moeckli
• 3. Carmen faces Paris and the provinces Clair Rowden
• 4. Carmen dusted down: Albert Carre's 1898 revival at the Opera-Comique Michela Niccolai
• 5. Refashioning Carmen at the Theatre de La Monnaie, 1902 Bruno Forment
• 6. How Carmen became a repertory opera in Italy and in Italian Matthew Franke
• Part II . Across frontiers:
• 7. A new performance for a new world: Carmen in America Kristen M. Turner
• 8. The unstoppable march of time: Carmen, and New Orleans in transition Charlotte Bentley
• 9. The return of the habanera: Carmen's early reception in Latin America Jose Manuel Izquierdo, Jaime Cortes-Polania and Juan Francisco Sans
• 10. From Spain to Lusophone lands: Carmen in Portugal and Brazil David Cranmer
• 11. Carmen in the antipodes Kerry Murphy
• 12. Carmen, as seen and heard in Victorian Britain Paul Rodmell
• 13. Celtic Carmens: rebellion and redemption Linda J. Buckley and Jennifer Millar
• 14. Carmen for the Czechs and Germans, 1880 to 1945 Martin Nedbal
• 15. Carmen in Poland prior to 1918 Renata Suchowiejko
• 16. A woman or a demon: Carmen in the late nineteenth-century Nordic countries Ulla-Britta Broman-Kananen
• Part III . Localising Carmen:
• 17. Russian Carmens and 'Carmenism': from Imperial import to ideological benchmark Michelle Assay
• 18. The other reversed? Japan's assimilation of Carmen between 1885 and 1945 Naomi Matsumoto
• 19. Flamenco and the 'hispanicisation' of Bizet's Carmen in the Belle Epoque Michael Christoforidis and Elizabeth Kertesz
• 20. Carmen at home: between Andalusia and the Basque Provinces (1845-1936) Lola San Martin Arbide
• 21. Carmen in the midi amphitheatres: a 'tauro-comique' spectacle Sabine Teulon Lardic
• Selected Bibliography.