Collaborative Intimacies in Music and Dance: Anthropologies of Sound and Movement

Contents

• Preface
• Introduction: Collaborative Intimacies
• Evangelos Chrysagis and Panas Karampampas
• PART I: SOUND, MEANING AND SELF-AWARENESS
• Chapter 1. Being in Sound: Reflections on Recording while Practicing Aikido and Shakuhachi
• Tamara Kohn and Richard Chenhall
• Chapter 2. Performing and Narrating Selves in and through Classical Music: Being 'Japanese' and Being a Professional Musician in London
• Yuki Imoto
• PART II: PEDAGOGIES OF BODILY MOVEMENT
• Chapter 3. Kinaesthetic Intimacy in a Choreographic Practice
• Brenda Farnell and Robert N. Wood
• Chapter 4. The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman
• Bethany Whiteside
• PART III: MUSIC PRACTICES AND ETHICAL SELFHOOD
• Chapter 5. The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles
• James Butterworth
• Chapter 6. A Sense of Togetherness: Music Promotion and Ethics in Glasgow
• Evangelos Chrysagis
• PART IV: BODIES DANCING IN TIME AND ACROSS SPACE
• Chapter 7. Rumba: Heritage, Tourism and the 'Authentic' Afro-Cuban Experience
• Ruxandra Ana
• Chapter 8. Cinematic Dance as a Local Critical Commentary on the 'Economic Crisis': Exploring Dance in Korydallos, Attica, Greece
• Mimina Pateraki
• PART V: MOTION, IRONY AND THE MAKING OF LIFEWORLDS
• Chapter 9. Performing Irony on the Dance Floor: The Many Faces of Goth Irony in the Athenian Goth Scene
• Panas Karampampas
• Chapter 10. The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea)
• Borut Telban
• Index