In Search of Alberto Guerrero

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Table of Contents for In Search of Alberto Guerrero by John Beckwith List of Illustrations
Acknowledgments
Introduction
Chapter 1 : Chile / Canada a Beginnings in La Serena a Young Pianist, Young Composer a A Composer for the Stage a Two Composer-Associates a Writings
Chapter 2 : A Wedding, a Tour a New York and Back: A Farewell a Why?
Chapter 3 : Toronto: The Hambourgs a El cA(3)nsul a Personal Crises a Toronto: The Late 1920s and Early a30s a The TCM a Performances
Chapter 4 : The Andison Concerts; Malloneyas a Friendships a aA Great Piano Towna: The Five Piano Ensemble a The 1940s
Chapter 5 : Lessons a Changes a Glenn Gould a A Letter a The Final Public Recital
Chapter 6 : The 1950s a A Funeral a aBoswella a Legacy
Appendix 1: Alberto Guerrero, aThe Discrepancy between Performance and Techniquea
Appendix 2: Boyd Neel, aAlberto Guerreroa
Appendix 3: Reunion: Participants
Appendix 4: Excerpts from the Prgoram Note for the Symposium aRemembering Alberto Guerrero,a Toronto, 25 October 1990 (by John Beckwith) Notes
Bibliography
Index

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In Search of Alberto Guerrero is the first full biography of the influential Chilean-Canadian pianist and teacher (1886-1959), describing Guerrero's long career as virtuoso recitalist, chamber music collaborator, concerto soloist, and teacher. Written by composer John Beckwith, who was a student of Guerrero, the book blends research and memoir to piece together the life of a man who once insisted he had no story. Guerrero was part of the intellectual scene that introduced Chileans to Debussy, Ravel, Cyril Scott, Scriabin, and Schoenberg. He and his brother played an active role in founding the Sociedad Bach in Santiago. In 1918 Guerrero moved to Toronto, making the Hambourg Conservatory, and later the Toronto (now Royal) Conservatory, his new base. He soon became one of Canada's most active pianists. In what was then a novel activity, he played regular radio recitals from the mid-1920s to the early 1950s. He was also deeply engaged with issues in piano pedagogy, and worked with young talents including Canada's much-acclaimed Glenn Gould. But unlike the shadowy role Guerrero is assigned in Gould biographies, here he is given proper credit for his technical and aesthetic influence on the young Gould and on other notable musicians and composers. Guerrero left few written records, and documentation of his work by others is incomplete and often erroneous. Aiming for a fuller and more accurate account of this remarkably influential and well-loved man, Beckwith's In Search of Alberto Guerrero gives an insider's story of the Canadian classical music scene in mid-twentieth-century Toronto, and pays homage to the influential musician William Aide has called an "unsung progenitor."

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