Chou Wen-Chung: The Life and Work of a Contemporary Chinese-Born American Composer

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Part 1 List of Illustrations
Chapter 2 Chapter 1 . Prologue
Chapter 3 Chapter 2 . A Biographic Sketch of Chou Wen-Chung
Chapter 4 Chapter 3 . Chou's Works of the 1940s and 1950s
Chapter 5 Chapter 4 . Chou's Works of the 1960s
Chapter 6 Chapter 5 . Chou's Works of the 1980s and 1990s
Chapter 7 Chapter 6 . The Reception of Chou's Works
Chapter 8 Chapter 7 . Background of Chinese Approaches to Musical Synthesis
Chapter 9 Chapter 8 . Epilogue
Part 10 Appendix A: List of Chou Wen-Chung's Works
Part 11 Appendix B: Discography of Chou Wen-Chung's Works
Part 12 Appendix C: Performance Chronology of And the Fallen Petals
Part 13 Bibliography
Part 14 Index
Part 15 About the Author

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Despite his original training as a civil engineer, Chou Wen-Chung came to America in 1946 to pursue music. He became a protégé of Edgard Varèse and spent several decades teaching, composing, and advancing modern concepts in contemporary compositions. Incorporating the teachings of his mentor, yet retaining his own identity, Chou is one of the few composers to successfully integrate images and ideas from both Eastern and Western culture. His unique synthesis of the two cultures has challenged the American musical community to recognize and celebrate cultural differences, setting Chou apart in contemporary American music as an exemplary of the Chinese musical idiom. His founding of the Center for United States-China Arts Exchange has furthered his exploration of cross-cultural pollination. This book examines the composer's life and music, including biographic material, an in-depth cultural and musical analysis of his works, and receptions of his music. An assessment of Chou's unique contribution to contemporary musical synthesis, a hallmark in twentieth-century music, draws a direct link between his cross-cultural approach to composition and his family history and upbringing. His quest for an original style by widening his musical and cultural experiences - including consulting ancient Chinese sources on music and philosophy - helped to solidify his place in the musical patchwork of contemporary America. Also drawing a comparison between Chou's approach to musical synthesis and that of his Chinese colleagues, author Peter Chang's discussion generates interest in cross-cultural studies in contemporary music, promoting multicultural awareness in America and abroad, and enabling readers to understand different reactions to the Western impact on Chinese music and culture. The book's appendixes list Chou's compositions and recordings, and a chronology of performances.

Reviews

Notes: Journal of the Music Library Association

this book does well to frame the reader's understanding of Chou's music within a cross-cultural and historical framework. In foregrounding human agency, Chang negotiates Chou's multifaceted roles and his ethical contribution to society in a rapidly globalizing world

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