The Oxford Handbook of Sound and Imagination, Volume 1

Contents

• Contributor Affiliations
• Acknowledgments
• Introduction
• MARK GRIMSHAW-AAGAARD
• MADS WALTHER-HANSEN
• MARTIN KNAKKERGAARD
• PART I. FOUNDATIONS
• Chapter 1. Imagining Sound as the Absolute: The Case of Sarangadeva
• SAAM TRIVEDI
• Chapter 2. The Sensation of Sound and Imagination in a Historical Perspective
• SVEN HROAR KLEMPE
• Chapter 3. Imagining the Sounds Themselves
• MALCOLM RIDDOCH
• Chapter 4. Auditory Imagination. A Phenomenological Perspective
• DANIEL A. SCHMICKING
• Chapter 5. The Necessity of Vagueness and Ambiguity to the Imagining of Sound
• MARK GRIMSHAW-AAGAARD
• Chapter 6. Listening and/as Imagination
• MARCEL COBUSSEN
• Chapter 7. Imagination, Multimodality, and Sound
• JOAQUIM BRAGA
• Chapter 8. Some Anticipatory, Kinesthetic, and Dynamic Aspects of Auditory Imagery
• TIMOTHY L. HUBBARD
• PART II. SOCIETY AND IDENTITY
• Chapter 9. Into the Sounds of War: Imagination, Media, and Experience
• MICHAEL BULL
• Chapter 10. Shifting Metaphors in the Conceptualization of Musical Knowledge and Learning
• PETTER DYNDAHL
• Chapter 11. Fantasy Control: Implications for Distributed Imagination and Affect Attunement in Music and Sound
• ULRIK VOLGSTEN
• Chapter 12. Musical Preferences and the Imagined Self
• ALEXANDRA LAMONT
• Chapter 13. Burmese Spirit Worship: Music as a Medium for the Transformation of Self
• JUDITH BECKER
• Chapter 14. Opera and the South African Political
• CHRISTOPHER BALLANTINE
• Chapter 15. Noise and Tranquility at Stonehenge: The Political Acoustics of Cultural Heritage
• ODD ARE BERKAAK
• Chapter 16. The Sonic Abject: Sound and Violence in the Legal Imagination
• VEIT ERLMANN
• Chapter 17. Building Worlds Together with Sound and Music: Imagination as an Active Engagement Between Ourselves
• KAI TUURI AND HENNA-RIIKKA PELTOLA
• Chapter 18. Sonic Branding: From Brand Image to Brand Imagination
• CLARA GUSTAFSSON
• Chapter 19. Radio Imaginaries: Music, Space, and Broadcasting in the 1950s
• MORTEN MICHELSEN
• PART III. LANGUAGE
• Chapter 20. Audio Inside the Mind: The Poetics of Sound
• SEAN STREET
• Chapter 21. The Acoustic Imaginations of East Asia
• KERIM YASAR
• Chapter 22. Imagining Sonic Stories
• VINCENT MEELBERG
• Chapter 23. Sound Quality, Language, and Cognitive Metaphors
• MADS WALTHER-HANSEN
• Chapter 24. Speech, Sound, Technology
• JOHANNES MULDER AND THEO VAN LEEUWEN
• Chapter 25. Divergent Images of Early Sound Experience during Infancy and Early Childhood
• MICHAEL FORRESTER
• PART IV. IMAGE
• Chapter 26. The Aural Dimension in Comic Art
• MARCO PELLITTERI
• Chapter 27. Sound, Museums, and the Modulation of the Imagination
• WILLIAM WHITTINGTON
• Chapter 28. Cinema as Social Knowledge. The Case of the Beatles in the Studio
• FRANCOIS RIBAC
• Chapter 29. Concerning the Iconic Signification of Music in Cinema
• MICHAEL CHANAN
• Chapter 30. Embodied Listening: A Moving Dimension of Imagination
• MARTINE HUVENNE
• Chapter 31. The Listener's Choice: The Sounds of Music, Meanings, and Measurements
• OLA STOCKFELT
• PART V. SPACE AND PLACE
• Chapter 32. Imagining Acoustic Spaces Through Listening and Acoustic Ecology
• BARRY TRUAX
• Chapter 33. Presence, Environment, and Sound and the Role of Imagination
• MARK GRIMSHAW-AAGAARD
• Chapter 34. Music Places: Imaginative Transports of Listening
• JUDY LOCHHEAD
• Chapter 35. Beacons of Sound
• MARTIN KNAKKERGAARD
• Chapter 36. The Sound of an Endless Column: How Music Imagines Unimaginable Space
• ZOHAR EITAN AND HILA TAMIR-OSTROVER
• Chapter 37. Auditory Mirrors: About the Politics of Hearing
• SABINE SANIO
• Chapter 38. What You Hear is Where You Are
• LINDA-RUTH SALTER
• Chapter 39. Bridging the Other-Real: Video Game Sound and the Imagination
• TOM A. GARNER
• Index