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Music, Myth and Story in Medieval and Early Modern Culture

  • Editor: Bassler, Samantha
  • Editor: Butler, Katherine

Book

$118.25

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Contents

  • Introduction
  • Music and the Myth of Apollo's Grove - John MacInnis
  • The Consolation of Philosophy and the 'Gentle' Remedy of Music - Ferdia J Stone-Davis
  • And in England, There are Singers: Grafting Oneself into the Origins of Music - Elina G. Hamilton
  • The Harmonious Blacksmith, Lady Music, and Minerva: The Iconographyof Secular Song in the Late Middle Ages - Jason Stoessel
  • Foolish Midas: Representing Musical Judgement and Moral Judgement in Italy c.1520 - Tim Shephard
  • Marsilio Ficino and Girolamo Cardano under Orpheus's Spell - Jacomien Prins
  • Origin Myths, Genealogies, and Inventors: Defining the Nature of Musicin Early Modern England - Katherine Butler
  • How to Sing like Angels: Isaiah, Ignatius of Antioch, and Protestant Worship in England - Jamie Apgar
  • In Pursuit of Echo: Sound, Space, and the History of the Self - Ljubica Ilic
  • Ophelia's Mad Songs and Performing Story in Early Modern England - Samantha Bassler
  • Dangerous Beauty: Stories of Singing Women in Early Modern Italy - Sigrid Harris
  • 'Fantastic Spirits': Myth and Satire in the Ayres of Thomas Weelkes - Katie Bank
  • Feeling Fallen: A Re-telling of the Biblical Myth of the Fall in a Musical Adaptation of Marvell's 'A Dialogue between Thyrsis and Dorinda' - Aurora Faye Martinez
  • 'Armida's Picture we from Tasso Drew'?: The Rinaldo and Armida Story in Late-Seventeenth- and Early-Eighteenth-Century English Operatic Entertainments - Amanda Eubanks Winkler
  • Translating Myth Through Tunes: Ebenezer Forrest's Ballad Opera Adaptation of Louis Fuzelier's Momus Fabuliste (1719-29) - Erica Levenson
  • Bibliography