Drama in the Music of Franz Schubert

Contents

• Preface - and
• Introduction: Internal Dramas - Laura Tunbridge
• Opera that Vanished: Goethe, Schubert and Claudine von Villa Bella - Lorraine Byrne Bodley
• Pioneering German Musical Drama: Sung and Spoken Word in Schubert's Fierabras - Christine Martin
• The Dramatic Monologue of Schubert's Mass in A flat major -
• Schubert's Dramatic Lieder: Rehabilitating 'Adelwold und Emma', D. 211 - Susan Wollenberg
• Gretchen abbandonata: The Lied as Aria - Marjorie Hirsch
• The Dramatic Strategy Within Two of Schubert's Serenades -
• 'Durch Nacht und Wind': Tempesta as a topic in Schubert's Lieder - Clive McClelland
• Reentering Mozart's Hell: Schubert's 'Gruppe aus dem Tartarus', D. 583 - Susan Youens
• 'Zumsteeg Ballads without Words': Inter-Generic Dialogue and Schubert's Projection of Drama through Form - Anne Hyland
• Lyricism and the Dramatic Unity of Schubert's Instrumental Music: The Impromptu in C Minor, D. 899/1 - Brian Black
• Music as Poetry: An Analysis of the first movement of Schubert's Piano Sonata in A major, D. 959 - Xavier Hascher
• Virtual Protagonist and Musical Narration in the Slow Movements of Schubert's Piano Sonatas D. 958 and D. 960 - Lauri Suurpaa
• Stylistic Disjuncture as a Source of Drama in Schubert's Late Instrumental Works -
• Select Bibliography