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Expressive Forms in Brahms's Instrumental Music: Structure and Meaning in His Werther Quartet

  • Editor: Smith, Peter H.
For more than a decade Peter Smith has published extraordinarily insightful analyses of Brahms's instrumental music. In Expressive Forms in Brahms's Instrumental Music, he expands his focus to... More…

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Contents

  • Acknowledgments
  • Introduction
  • 1. Quintessential Brahms and the Paradox of the C-Minor Piano Quartet: A Representative yet Exceptional Work
  • Part I 2. Analytical Preliminaries: Brahms's Sonata Forms and the Idea of Dimensional Counterpoint
  • 3. A Schoenbergian Perspective: Compositional Economy, Developing Recapitulation, and Large-Scale Form
  • 4. Brahms and Schenker: A Mutual Response to Sonata Form
  • 5. Brahms's Expository Strategies: Two-Part Second Groups, Three-Key Expositions, and Modal Shifts
  • Part II 6. Toward an Expressive Interpretation: Correlations for Suicidal Despair
  • 7. Intertextual Resonances: Tragic Expression, Dimensional Counterpoint, and the Great C-Minor Tradition
  • Notes
  • Bibliography
  • Index