The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities
- Author: Sumner Lott, Marie
Recommended —
Book
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Contents
- CoverTitleCopyrightContentsList of Figures and TablesList of Musical ExamplesAcknowledgmentsIntroduction. String Chamber Music and Its Audiences in the Nineteenth Century
- 1. Publishing Chamber Music: Archival Evidence for Chamber Music Production and Consumption
- 2. "Domesticating" the Foreign in Arrangements of Operas, Folk Songs, and Other Works for Chamber Ensembles
- 3. Music for Men of Leisure: An Examination of the Domestic String Style
- 4. Redefining the "Progressive" Style in Responses to Beethoven's Late Quartets
- 5. Creating "Progressive" Communities through Programmatic Chamber Music
- 6. Audience and Style in Brahms's String Chamber Music
- 7. The Diversity of Dvorak's String Quartet AudiencesAppendix 1 J. Strunz, string quartet transcription of no. 18, "Priere" (Prayer), from Meyerbeer's Robert le DiableAppendix 2 C. W. Henning, string quartet transcription of no. 8, "Leise, leise, fromme