Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology

Contents

• List of
• Contributors
• Introduction The Future of and through Music Ewa Mazierska, Les Gillon and Tony Rigg
• Part 1 : Music Industry
• 1. Rethinking Independence: What Does 'Independent Record Label' Mean Today? Patryk Galuszka and Katarzyna M. Wyrzykowska, University of Lodz, Poland
• 2. The Future of Digital Music Infrastructures: Expectations and Promises of the Blockchain 'Revolution' Paolo Magaudda, University of Padua
• 3. 'The Sound of the Future is Here Today': The Market for Post-Rock Within the Traditional Small Music Festival Landscape Kenneth Forbes, University of the West of Scotland, UK
• 4. 'They Sold the Festival Out!': Axionormativity as the Future of Festivals Waldemar Kuligowski, Adam Mickiewicz University, Poland
• 5. The Hidden Worker Bees: Advanced Neoliberalism and Manchester's Underground Club Scene Kamila Rymajdo, Kingston University, UK
• Part 2 : Musicians and Their Music
• 6. The Adaptive Musician: The Case of Peter Hook and Graham Massey Ewa Mazierska and Tony Rigg, University of Central Lancashire, UK
• 7. Where Do We Go From Here?: The Future of Composers in the Post-Digital Era Lars Broendum, University of Skoevde, Sweden
• 8. Searching for International Success in Europe's Periphery: The Case of Gin Ga and Fran Palermo Ewa Mazierska, University of Central Lancashire, UK
• 9. Electro Swing: The Re-
• Introduction of the Sounds of the Past into the Music of the Future Chris Inglis, University of South Wales, UK
• Part 3 : Music Consumption
• 10. Back to the Future: Proposing a Heuristic for Predicting the Future of Recorded Music Use Mathew Flynn, University of Liverpool, UK
• 11. Young People's Current Music and Media Use in Austria: The Musical Practice of the Future? Michael Huber, University of Vienna, Austria
• 12. Curators as Taste Entrepreneurs in the Digital Music Industries Emilia Barna, Budapest University of Technology and Economics, Hungary
• 13. An Echoic Chamber: Algorithmic Curation and Personalised Listening Andrew Fry, Sounds et al, USA
• Index