Beggars Banquet and the Rolling Stones' Rock and Roll Revolution: ‘They Call My Name Disturbance'

Contents

• Russell Reising: Introducton: "Just trying to do this jigsaw puzzle"
• Part I: What can poor boys do, except to sing (and play and produce) in a rock 'n' roll band?
• John Covach: Jimmy Miller, the Rolling Stones, and Beggars Banquet
• Steven Baur: 'And the drummer, he's so shattered': the percussive core of Beggars Banquet
• Akitsugu Kawamoto: 'And the bass player, he looks nervous': progressive elements in the bass lines of Beggars Banquet
• Jim LeBlanc: 'Too much is never enough': Beggars Banquet and the decline of Brian Jones
• Stephen D. Christman: "Five strings, three notes, two fingers, one asshole": Keith Richards's use of open G tuning
• James McGrath: Doctor, I'm damaged: medical and cultural mythologies of Nicky Hopkins and the Rolling Stones
• Part II: "What's puzzling you is the nature of my game": some ideas
• Ruth Tallman: Condemned to be free: the frightening uncertainty of a world without morality
• Norma Coates: How can a smart chick like me listen to the Stones and not throw up? A speculative exploration of Beggars Banquet and misogyny
• Brian Goodman, Woo Woooo: Beggars Banquet 's new aesthetic
• Part III: Some songs
• Kimberly Mack: Please allow me to introduce myself': autobiographical blues self-fashioning in 'Sympathy for the Devil'
• Peter Mills: "Ghost at the banquet : the enigma of 'Child Of The Moon'"
• Jacopo Conti: The 'old' and 'new' Rolling Stones in aural staging and chord changes of 'Street Fighting Man'
• Part IV: The Rolling Stones, live if you want it
• Steve Waksman: On the Road to Altamont: the Rolling Stones on Tour, 1969
• Kimi Karki: 'I've been around for a long, long year': the spectacular evil in the Rolling Stones' live performance career