The Grand Theater of the World: Music, Space, and the Performance of Identity in Early Modern Rome
- Editor: Jeanneret, Christine
- Editor: Lucca, Valeria De
Book
$182.25Printed on demand
Contents
- Part 1 The Spaces of Music in Rome
- 1. Valeria De Lucca and Christine Jeanneret: Exploring the Soundscape of Early Modern Rome through Uberti's Contrasto musico
- Part 2 Palaces and Theatres
- 2. Tracy Ehrlich : Drawing as a Performative Act: Carlo Marchionni at the Villa Albani, Rome
- 3. Barbara Nestola: Gesture and Acting in Roman Opera at the End of the Seventeenth Century
- Part 3 Devotional Spaces
- 4. Eric Bianchi: Was Man Made For the Sabbath? Sight, Space, and Identity in Jesuits' Musical Life
- 5. Peter Gillgren, Theatricality in the Sistine Chapel
- 6. Huub van der Linden: Blinding Light and Gloomy Darkness: Illumination, Spectatorship, and the Oratorio in Baroque Rome
- Part 4 Streets and Squares
- 7. Brice Gruet: Sound and Sensorial Landscape: Early Modern Rome as a Full Urban Experience
- 8. Dinko Fabris: "Comprando la Maraviglia con l'Impossibilita" The Role of Music in the Space of a Torneo: An Unknown Score of I Furori di Venere (Bologna, 1639)
- Part 5 Villas and Gardens
- 9. Anne-Madeleine Goulet: Cultural Life at Villa Lante di Bagnaia (1683-1696): Family, Gardens, and Sociability
- 10. Giulia Romano Veneziano: The "Teatro delle acque": Music and Spectacle at Villa Aldobrandini during the Seventeenth and Eighteenth Centuries
- Part 6 Crossing boundaries
- 11. Michela Berti: Inside and Outside a National Church: Music, Ceremonies, and Nationality in Early Modern Rome
- 12. Colleen Reardon: From the Villa to the Public Theatre: The Chigi and "Roman" Opera in Siena