Music & Camp

Contents

• Acknowledgments List of Tables & Figures Christopher Moore & Philip Purvis,
• Introduction
• PART I : THE SACCHARINE & THE SACRED
• Chapter 1 : Mitchel Morris, On Fairies (and Mothers): Beatrice Lillie Sings
• Chapter 2 : Lloyd Whitesell, The Uses of Extravagance in the Hollywood Musical
• Chapter 3 : Stephen Pysnik, Musical Camp: Conrad Salinger and the Performance of Queerness in The Pirate
• Chapter 4 : Ivan Raykoff, The Camp Sincerity of Christmas Carols
• Chapter 5 : Christopher Moore, Camping the Sacred: Homosexuality and Religion in the Works of Poulenc and Bernstein
• PART II : FLAMING LIPS & FLAMING HIPS
• Chapter 6 : Freya Jarman, Watch my Lips: The Limits of Camp in Lip-syncing Scenes
• Chapter 7 : Sam Baltimore, Camping Out: Queer Communities and Public Singalongs
• Chapter 8 : Francesca T. Royster, "The Booty Don't Lie" and other Camp Truths in the Performances of Janelle Monae
• PART III : GENDER & GENITALS
• Chapter 9 : Peter Franklin, Strauss as the Pervert? Gendered Subjectivity, Ambiguous Meaning
• Chapter 10 : Philip Purvis, Poulenc's (Sub)urban Camp: L'Embarquement pour Cythere
• Chapter 11 : Raymond Knapp, The Straight Bookends to Camp's Gay Golden Age: From Gilbert and Sullivan to Roger Vadim and Mel Brooks
• Chapter 12 : Lori Burns & Marc Lafrance, The Dark Side of Camp: Making Sense of Violence against Men in Christina Aguilera's "Your Body"
• Contributors
• Bibliography
• Index