Gender, Subjectivity, and Cultural Work: The Classical Music Profession

Contents

• List of Tables
• Acknowledgments
• Introduction
• 1 Setting the stage: the cultural and creative industries, entrepreneurialism, and the classical music profession
• 2 Documenting and explaining inequalities in the classical music profession
• 3 The silence that is not a rest: negotiating hierarchies of class, race, and gender
• 4 Entrepreneurialism at work: mapping the contours of entrepreneurial subjectivity
• 5 "Difficult, fickle, tumultuous" and yet "the best job in the world": analysing subjective experiences of precarious work
• 6 Structures of feeling in two creative cities: London and Berlin
• Conclusion: key contributions, directions for further research, and recommendations