From Renaissance to Baroque: Change in Instruments and Instrumental Music in the Seventeenth Century

Contents

• Contents: Preface
• Introduction: From 'Renaissance' to 'Baroque'?, Jonathan P. Wainwright
• Baptiste's Hautbois: the metamorphosis from Shawm to Hautboy in France, 1620-70, Bruce Haynes
• A commentary on the letter by Michel de La Barre concerning the history of musettes and hautboys, Marc Ecochard
• The woodwind instruments of Richard Haka (1645/6-1705), Jan Bouterse
• Basstals or Curtoons: the search for a transitional Fagott, Graham Lyndon-Jones
• The iconographic background to the seventeenth-century recorder, Anthony Rowland-Jones
• The Renaissance flute in the 17th century, Nancy Hadden
• The flute at Dresden: ramifications for 18th-century woodwind performance in Germany, Mary Oleskiewicz
• How did 17th-century English violins really sound?, Peter Trevelyan
• The development of French lute style 1600-50, Matthew Spring
• The early Air de Cour, the Theorbo, and the Continuo principle in France, Jonathan Le Cocq
• From stops organical to stops of variety: the English organ from 1630 to 1730, Dominic Gwynn
• Upgrading from consorts to orchestra at the WA1/4rttemberg court, Samantha Owens
• From violin band to orchestra, Peter Holman
• Organological Gruyere, Jeremy Montagu. Workshop Reports: J.S. Bach's Actus tragicus: 'Gottes Zeit ist die allerbeste Zeit' (BWV 106), Andrew Parrott
• The French Baroque orchestra: Lully, Charpentier, Couperin, Graham Sadler. Bibliography
• Index.