Nineteenth-Century Music: Selected Proceedings of the Tenth International Conference

Contents

• Contents: Editors' preface
• Philosophy of music: Musical meaning?, Andrew Bowie
• Wagner: The trial of Richard Wagner, Roger Scruton
• Music as natural language in the moral order of Wagner's Ring: Siegfried, act 2, scene 3, Thomas S. Grey
• Wagner and Mendelssohn, John Deathridge
• Liszt: TrisZtan
• or, the case of Liszt's 'Ich mAchte hingehn', Alexander Rehding
• The controversy surrounding Liszt's conception of programme music, James Deaville
• Death transfigured: the origins and evolution of Franz Liszt's Totentanz, Anna Harwell Celenza
• Common narrative structures in music and literature: a semio-stylistic investigation in the arts of the 19th century (Liszt and Goethe), MA!rta GrabA(3)cz
• Changing aspects of the sacred and secular: Liszt's Legend of St Elisabeth in the Repertory of the K.K.Hof-Operntheater in Vienna, Cornelia SzabA(3)-Knotik
• Mediating Music: Creating, collecting and publishing in 19th-century France: World Fair - World Music: musical politics in 1889 Paris, Annegret Fauser
• Regionalism, Latinite and the French musical tradition: Deodat de Severac's Heliogabale, Andrea Musk
• Herodiade: Church, state and the feminist movement, Clair Rowden
• Music and Nation: Music copyright and the Prussian Copyright Act of 1837, Friedemann Kawohl
• German nationalism and the reception of the Czech String Quartet in Vienna, Elizabeth Way Sullivan
• Creation/Evolution: metaphoric syntheses in 19th- and early 20th-century music historiography in Britain, Bennett Zon
• Women and Music: Art music and activist discourse: the case of the African-American musician Amelia Tilghman, Juanita Karpf
• Josephine Lang and the Schumanns, Harald Krebs
• Index.