Nineteenth-Century British Music Studies: Volume 3

Contents

• Contents: Introduction
• Learning in London, Julian Rushton
• Issues of gender: 'Leadership of fashion in musical thought': the importance of Rosa Newmarch in the context of turn-of-the-century British styles of music appreciation, Charlotte Purkis
• Hym(n)ing: music and masculinity in the early Victorian church, Grant Olwage
• The construction of a cultural icon: the case of Jenny Lind, George Biddlecombe
• Church music: 'Hark an awful voice is sounding': redefining the English Catholic hymn repertory through The Westminster Hymnal of 1912, Thomas Muir
• Ancient and modern in the work of Sir John Stainer, Nicholas Temperley
• '...the highest point up to that time reached by the combination of Hebrew and Christian sentiment in music', Peter Horton
• National identity: 'Unfurl the flag and Federate': flags as a representation of patriotism and nationalism in Australian Federation songs, 1880-1906, Peter Campbell
• English national identity and the comic operas of Gilbert and Sullivan, Derek Scott
• Singing the songs of Scotland: the German musician Johann Rupprecht DA1/4rrner and musial life in 19th-century Edinburgh, Barbara Eichner
• National and local institutions: Another string to his bow: the composer conducts, Duncan Barker
• Vincent Novello and the Philharmonic Society of London, Fiona Palmer
• The Oxford commemorations and 19th-century British festival culture, Susan Wollenberg
• One equal music: the emergence of the Royal College of Music, Giles Brightwell
• The family von Glehn, Valerie Langfield
• Index.