Christian Congregational Music: Performance, Identity and Experience
- Author: Ingalls, Monique Marie
- Author: Landau, Carolyn
Book
$70.00Printed on demand
Contents
- Chapter 1 Prelude Performing Theology, Forming Identity and Shaping Experience: Christian Congregational Music in Europe and North America, Monique Ingalls, Carolyn Landau, Tom Wagner
- Part I Performing Theology
- Chapter 1a On One Accord: Resounding the Past in the Present at One African American Church, Will Boone
- Chapter 2 'Praise Is What We Do': The Rise of Praise and Worship Music in the Black Church in the US, Deborah Smith Pollard
- Chapter 3 Tune Your Music to Your Heart: Reflections for Church Music Leaders, June Boyce-Tillman
- Chapter 4 Jazz and Anglican Spirituality? Some Notes on Connections, Martyn Percy
- Part II Interplay of Identities
- Chapter 5 Making Borrowed Songs: Mennonite Hymns, Appropriation and Media, Jonathan Dueck
- Chapter 6 New Music for New Times?: Debates over Catholic Congregational Music in Hungary, Kinga Povedák
- Chapter 7 'I'll Take you There': The Promise of Transformation in the Marketing of Worship Media in US Christian Music Magazines, Anna Nekola
- Chapter 8 (Hillsong) United Through Music: Praise and Worship Music and the Evangelical 'Imagined Community', Gesa Hartje-Döll
- Part III Experience and Embodiment
- Chapter 9 The Sensual Theology of the Eighteenth-Century Moravian Church, Sarah Eyerly
- Chapter 10 Worship, Transcendence and Danger: Reflections on Seigfried Kracauer's 'The Hotel Lobby', Martin D. Stringer
- Chapter 11 'Really Worshipping', not 'Just Singing', Gordon Adnams
- Chapter 12 Moving Between Musical Worlds: Worship Music, Significance and Ethics in the Lives of Contemporary Worshippers, Mark Porter
- Chapter 14 Afterword Theology and Music in Conversation, Martyn Percy