Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries: A Collection of Essays in Celebration of Peter Philips’s 450th Anniversary

Contents

• List of Figures, List of Tables, List of Music Examples, List of Appendices, Manuscript Sigla and Abbreviations, Notes on Contributors, Foreword,
• Preface and Acknowledgements,
• 1. Introduction,
• 2. The Interconnection of Religious, Social and Musical Networks: Creating a Context for the Keyboard Music of Peter Philips and its Dissemination,
• 3. The Liber fratrum cruciferorum Leodiensium and the Dissemination of Organ Repertoire in the Netherlands during the Seventeenth Century,
• 4. The Pious Mr Philips and his Few-Voiced Motets at Isabella’s Confraternity of Our Lady,
• 5. The Ear of the Lynx: The Musical Legacy of the Accademia dei Lincei,
• 6. Politics, Religion, Style and the Passamezzo Galliards of Byrd and Philips: A Discussion of Networks Involving Byrd and his Disciples,
• 7. Musical Rhetoric Lost in Translation: National, Religious and Linguistic Networks and the Determination of Title in Sweelinck’s Organ Variations on Psalm 36,
• 8. What is a Composer? Problems of Attribution in Keyboard Music from the Circle of Philips and Sweelinck,
• 9. Orlando Gibbons’s Keyboard Music: The Continental Perspective,
• 10. A Pattern Recognition Approach to the Attribution of Early Seventeenth-Century Keyboard Compositions using Features of Diminutions,
• 11. ‘Full of Art, and Profundity’: The Five-Part Consort Pavan as a Medium for Sophisticated Musical Expression and Compositional Cross-Reference in Late Renaissance England,
• 12. Networking, Patronage and Professionalism in the Early History of Violin Playing: The Case of William Brade (c.1560–1630),
• 13. Practice and Dissemination of Music in the Catholic Network as Suggested by the Music Collection of Edward Paston (1550–1630) and Other Contemporary Sources,
• 14. Social Networking in Seventeenth-Century Italy: The ‘Harmonious Letters’ of a Monk-Musician, Bibliography,
• Index